‘Blue is the Warmest Color’ centers on a 15-year-old girl named Adèle who is climbing to adulthood and dreams of experiencing her first love. A handsome male classmate falls for her hard, but an unsettling erotic reverie upsets the romance before it begins. Adèle imagines that the mysterious, blue-haired girl she encountered in the street slips into her bed and possesses her with an overwhelming pleasure. That blue-haired girl is a confident older art student named Emma, who will soon enter Adèle’s life for real, making way for an intense and complicated love story that spans a decade and is touchingly universal in its depiction.
DIANA takes audiences into the private realm of one the world’s most iconic and inescapably public women — Diana the Princess of Wales — in the last two years of her meteoric life.
Detailing the final years of Princess Diana's (Naomi Watts) life before her death in Paris in 1997. The movie centers on her relationship with British-Pakistani heart and lung surgeon, Dr. Hasnat Khan (Naveen Andrews). Their 18-month relationship ended mere weeks before the accident that caused her death.
The story begins as WikiLeaks founder Julian Assange (Benedict Cumberbatch) and his colleague Daniel Domscheit-Berg (Daniel Brühl) team up to become underground watchdogs of the privileged and powerful. On a shoestring, they create a platform that allows whistle-blowers to anonymously leak covert data, shining a light on the dark recesses of government secrets and corporate crimes. Soon, they are breaking more hard news than the world's most legendary media organizations combined. But when Assange and Berg gain access to the biggest trove of confidential intelligence documents in U.S. history, they battle each other and a defining question of our time: what are the costs of keeping secrets in a free society-and what are the costs of exposing them?
In a peaceful forest, the remains of a picnic trigger a ruthless war between rival ant colonies, obsessed with gaining control of the same prize: a box of sugar cubes! Amidst this struggle a young ladybug befriends a black ant and helps him save his people from the horrible red ants...
Nymphomaniac is a wild, poetic drama about a woman's erotic journey from birth to the age of 50 as told by the main character, the self-diagnosed nymphomaniac, Joe (Charlotte Gainsbourg). On a cold winter's evening the old, charming bachelor Seligman (Stellan Skarsgård) finds Joe beaten up in an alleyway. He brings her home to his flat where he tends to her wounds while asking her about her life. He listens intently as Joe, over the next eight chapters, recounts the lustful story of her highly erotic life. Seligman reads a lot of books, from which he has acquired various general knowledge. He connects the stories told with what he has read about.
The story is divided in two volumes and eight chapters, Volume I follows Young Joe as portrayed by Stacy Martin, while the older Joe in Seligman's apartment is played by Gainsbourg, and Volume II follows Joe as portrayed by Charlotte Gainsbourg.
Nymphomaniac is a wild, poetic drama about a woman's erotic journey from birth to the age of 50 as told by the main character, the self-diagnosed nymphomaniac, Joe (Charlotte Gainsbourg). On a cold winter's evening the old, charming bachelor Seligman (Stellan Skarsgård) finds Joe beaten up in an alleyway. He brings her home to his flat where he tends to her wounds while asking her about her life. He listens intently as Joe, over the next eight chapters, recounts the lustful story of her highly erotic life. Seligman reads a lot of books, from which he has acquired various general knowledge. He connects the stories told with what he has read about.
The story is divided in two volumes and eight chapters, Volume I follows Young Joe as portrayed by Stacy Martin, while the older Joe in Seligman's apartment is played by Gainsbourg, and Volume II follows Joe as portrayed by Charlotte Gainsbourg.
The story of former Hollywood star Grace Kelly's crisis of marriage and identity, during a political dispute between Monaco's Prince Rainier III and France's Charles De Gaulle, and a looming French invasion of Monaco in the early 1960s.
Ten years ago, tragedy struck the Russell family, leaving the lives of teenage siblings Tim and Kaylie forever changed when Tim was convicted of the brutal murder of their parents. Now in his 20s, Tim is newly released from protective custody and only wants to move on with his life; but Kaylie, still haunted by that fateful night, is convinced her parents' deaths were caused by something else altogether: a malevolent supernatural force unleashed through the Lasser Glass, an antique mirror in their childhood home. Determined to prove Tim's innocence, Kaylie tracks down the mirror, only to learn similar deaths have befallen previous owners over the past century. With the mysterious entity now back in their hands, Tim and Kaylie soon find their hold on reality shattered by terrifying hallucinations, and realize, too late, that their childhood nightmare is beginning again...
Thunder, an abandoned young cat seeking shelter from a storm, stumbles into the strangest house imaginable, owned by an old magician and inhabited by a dazzling array of automatons and gizmos. Not everyone welcomes the new addition to the troupe as Jack Rabbit and Maggie Mouse plot to evict Thunder. The situation gets worse when the magician lands in hospital and his scheming nephew sees his chance to cash in by selling the mansion. Our young hero is determined to earn his place and so he enlists the help of some wacky magician's assistants to protect his magical new home.
For travelers around the world, the eruption of the Icelandic volcano Eyjafjallajökull is a downer. For Alain and Valerie, it's a catastrophe. For if they are to make it in time to the tiny Greek village where their daughter's wedding is taking place, the two divorcees have to swallow their pathological hatred for each other and hit the road together.
Who is he – Borgman, the iconoclast? Is he a real human being, or a fusion of fears and anger, hiding behind layers of respectability, prosperity and carelessness? Is he a demon from nightmares, or an allegory, or an embodiment of all human fears come alive—like an evil spirit on the loose.
Disturbed and exiled from his shelter, he arises from nowhere, and a steady life of an ordinary family will never be the same...Apocalypses is a recurrent dream, that one can forget about, but cannot get recovered from.
"Borgman" is like a complex puzzle, a maze constructed from passion, nightmares and exposed horrors, put in a frame of a surreal thriller.
Shot in unique style of the ideologist of the European absurd, this magnetic puzzle became the most obscure, harsh and sophisticated creation of the director, who possesses devilish fantasy and precise, abrupt impulse. He wildly plays with mythology, as well as with pictorial, literary and biblical motives.
Cast: Jan Bijvoet, Hadewych Minis, Jeroen Perceval, Alex van Warmerdam, Tom Dewispelaere, Elve Lijbaart
Directed by Alex van Warmerdam
"Well, you don’t love life itself. You love places, animals, people, memories, food, literature, music. And sometimes you meet someone...who requires all the love you have to give. And if you lose that someone, you think everything else is going to stop too. But everything else just keeps on going."
Aged American philosophy professor lives a lonely and self-contained life in Paris. Immersed in a deep reverie, he lost that something that he was searching for all his life - the meaning. Surrounded by memories, menacing to turn into hallucinations, he is inevitably moving towards the chasm: struggling against the absurd is even more difficult when you are alone. It seems that everything around is nothing but the decor: that’s how uninteresting the world became to him.
It seems that all that was important stayed in the past. And so it was, until one day he met someone on the bus, and this encounter changed everything.
Magnificent Michal Caine created a little delightful masterpiece on screen that makes you want to watch it again straight after walking out of the theatre.
"Mr. Morgan’s Last Love" - is a certain answer to gloomy "Love" by Michael Haneke.
This touching, heartfelt, beautiful story, filled with light sadness in pale shades, could have been shot only by a woman. The film is not about how one needs to live a life - it’s about the need of living it. And making it bright and saturated, making sure each moment is appreciated.
Fine and elegant reflection on loneliness, forgiveness and love, that give its spectator hope.