Romulus and Remus, two shepherds and loyal brothers, end up taking part to a journey that will lead one of them to be the founder of the greatest nation ever seen. However, the fate of the chosen one will pass from killing his own brother.
As the daring thief Arsène Lupin (Duris) ransacks the homes of wealthy Parisians, the police, with a secret weapon in their arsenal, attempt to ferret him out.
A look at Fellini's creative process. In extensive interviews, Fellini talks a bit about his background and then discusses how he works and how he creates. Several actors, a producer, a writer, and a production manager talk about working with Fellini. Archive footage of Fellini and others on the set plus clips from his films provide commentary and illustration for the points interviewees make. Fellini is fully in charge; actors call themselves puppets. He dismisses improvisation and calls for "availability." His sets and his films create images that look like reality but are not; we see the differences and the results.
A runaway couple go on an unforgettable journey from Boston to Key West, recapturing their passion for life and their love for each other on a road trip that provides revelation and surprise right up to the very end.
Laura and John, grieved by a terrible loss, meet in Venice, where John is in charge of the restoration of a church, two mysterious sisters, one of whom gives them a message sent from the afterlife.
Casanova is a libertine, collecting seductions and sexual feats. But he is really interested in someone, and is he really an interesting person? Is he really alive?
Just the night before his retirement District Attorney Saracini is given a film showing the kidnapping of Aldo Moro. As the District Attorney takes on the case he along with his team finds more compelling and secretive evidences. Too many secrets are found that should stayed as secrets.
In 1930’s England, a group of pretentious rich and famous gather together for a weekend of relaxation at a hunting resort. But when a murder occurs, each one of these interesting characters becomes a suspect.
Nearly 18 years after the events at the Dubrovka Theatre Centre, Natalia comes to Moscow from her quiet monastic life. Having received a blessing, she brings together the former hostages of the musical show “Nord-Ost” to hold a memorial evening of the tragedy, whose victims they became on 23-26 October 2002. Recreating the details and chronology of events, Natalia plunges into terrible details of her personal story, her fatal mistake, which crossed out her life. Together with other participants of the event and overcoming a post-traumatic syndrome, she must go again through this emotional experience.