As a child, Jack believed the tender lie his parents told him, that Gio was a special being with superpowers, as in a comic book. Now that he is about to go to high school, however, Jack no longer believes that his brother is a superhero, in fact, he is almost ashamed of him, especially since he met Arianna, the first love of his life.
A documentary that restores to the world, five hundred years after his death, the universal and sensitive genius of one of the greatest artists of the Italian Renaissance: Raphael Sanzio. Guided by the art historian Luca Tomìo, we decided to start our journey from the Renaissance atmosphere of Raphael’s birthplace, the Duchy of Urbino, to retrace, from the very beginning, Raphael's artistic education. From a young age, he found himself confronted with giants of the Renaissance art such as Piero della Francesca and Antonio del Pollaiolo, in the workshop of his father Giovanni Santi, also an excellent painter of the Urbino court.
Douglas is a foreign entrepreneur, who ventures to Russia in 1885 with dreams of selling a new, experimental steam-driven timber harvester in the wilds of Siberia. Jane is his assistant. On her travels, she meets two men who would change her life forever: a handsome young cadet Andrej Tolstoy with whom she shares a fondness for opera, and the powerful General Radlov who is entranced by her beauty and wants to marry her.
Romulus and Remus, two shepherds and loyal brothers, end up taking part to a journey that will lead one of them to be the founder of the greatest nation ever seen. However, the fate of the chosen one will pass from killing his own brother.
As the daring thief Arsène Lupin (Duris) ransacks the homes of wealthy Parisians, the police, with a secret weapon in their arsenal, attempt to ferret him out.
A look at Fellini's creative process. In extensive interviews, Fellini talks a bit about his background and then discusses how he works and how he creates. Several actors, a producer, a writer, and a production manager talk about working with Fellini. Archive footage of Fellini and others on the set plus clips from his films provide commentary and illustration for the points interviewees make. Fellini is fully in charge; actors call themselves puppets. He dismisses improvisation and calls for "availability." His sets and his films create images that look like reality but are not; we see the differences and the results.
A runaway couple go on an unforgettable journey from Boston to Key West, recapturing their passion for life and their love for each other on a road trip that provides revelation and surprise right up to the very end.
Laura and John, grieved by a terrible loss, meet in Venice, where John is in charge of the restoration of a church, two mysterious sisters, one of whom gives them a message sent from the afterlife.