A look at Fellini's creative process. In extensive interviews, Fellini talks a bit about his background and then discusses how he works and how he creates. Several actors, a producer, a writer, and a production manager talk about working with Fellini. Archive footage of Fellini and others on the set plus clips from his films provide commentary and illustration for the points interviewees make. Fellini is fully in charge; actors call themselves puppets. He dismisses improvisation and calls for "availability." His sets and his films create images that look like reality but are not; we see the differences and the results.
Just the night before his retirement District Attorney Saracini is given a film showing the kidnapping of Aldo Moro. As the District Attorney takes on the case he along with his team finds more compelling and secretive evidences. Too many secrets are found that should stayed as secrets.
In 1930’s England, a group of pretentious rich and famous gather together for a weekend of relaxation at a hunting resort. But when a murder occurs, each one of these interesting characters becomes a suspect.
Nearly 18 years after the events at the Dubrovka Theatre Centre, Natalia comes to Moscow from her quiet monastic life. Having received a blessing, she brings together the former hostages of the musical show “Nord-Ost” to hold a memorial evening of the tragedy, whose victims they became on 23-26 October 2002. Recreating the details and chronology of events, Natalia plunges into terrible details of her personal story, her fatal mistake, which crossed out her life. Together with other participants of the event and overcoming a post-traumatic syndrome, she must go again through this emotional experience.
The two sides of Frida Kahlo's spirit: on one side the revolutionary, pioneering artist of contemporary feminism and on the other, the human being, victim of her tortured body and a tormented relationship.
Two lovers are stuck in stale relationships due to lean finances. But when one is duped into thinking he's suddenly rich, he takes very drastic action.
Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.
It is 90 AD, and the Roman Empire is being run by the Emperor Domitian, who has declared himself to be God and ruler over heaven and earth. The Christians, who do not recognize his divinity, are a thorn in his side and he is having them cruelly persecuted. The small village in Asia Minor to which the aged apostle John has withdrawn is also attacked by Roman soldiers.
In April of 1945, Germany stands at the brink of defeat with the Russian Army closing in from the east and the Allied Expeditionary Force attacking from the west. In Berlin, capital of the Third Reich, Adolf Hitler proclaims that Germany will still achieve victory and orders his generals and advisers to fight to the last man. When the end finally does come, and Hitler lies dead by his own hand, what is left of his military must find a way to end the killing that is the Battle of Berlin, and lay down their arms in surrender.
In this swords-and-sorcery tale, good-hearted blacksmith Eyvind hides away infant Prince Siegfried after two malevolent kings murder his father. But a fiery meteor sent by the gods reveals Siegfried's destiny, sending him on the quest of a lifetime. To save a crumbling kingdom claim the heart of his true love, he'll have to slay the nefarious dragon, Fafnir.
Augustine is a two-part, Italian-made mini-series about the influential theologian and church father Augustine of Hippo. The piece tells the story of his life from a teenager to his death at the age of 69.Much of the content for the scenes of him as a young and middle-aged man come from his Confessions, which is probably the earliest extant autobiography.