After escaping from the Sudeten German Marienbad, Clara, together with her widowed brother-in-law Johann and his four children, is quartered in a small Franconian village in 1946. In addition to hunger and poverty Clara burdens the tuberculosis of her six-year-old niece Heidi. To raise money for life-saving medicines, she works as a harvest helper at Gut Braunfels. Here she meets the estate manager Martin again, her great love she had to leave because of the children. Immediately it sparkles again between the two, but also the power-conscious squire has kept an eye on Clara.
In 1427, Lady Maria Van Arnstein is informed that her beloved husband Michel Van Arnstein was murdered in a battle against the Hussitas. However he was actually betrayed by his ambitious cousin Hettenhein that wants his lands and castle. The Pope's Great Inquisitor Janus Suppertour meets King König Sigismund and tells that he wants Maria for him. Meanwhile Maria does not find blood in Michel's sword and believes that he is alive. She asks to the king for a period to seek out Michel and Sigismund grants ten days to her. She leaves the Hohenstein Castle and heads to the lands of the independent Solkony that are preparing to a war against the Hussitas that want the right of free will to follow the religion they want. Along her journey, Maria will meet leaders and will help to bring peace to Solkony. But her beloved Michel is amnesic and does not recall his previous life with her.
“The Antman” is a lovingly-made but sluggish monster-movie parody, done with German-speaking actors on a sparse soundstage standing in for 1950s Mexico. Promising concept is bolstered by colorful performances by Gotz Otto and Lars Rudolph, and the filmmakers have fun with pic’s look, right down to tacky lighting worthy of Roger Corman. But Marc Meyer’s script isn’t fast or funny enough to keep pace with energetic visuals. The first in a projected series of B-movie homages grouped as “Planet B,” the producers might want to call in Joe Dante to supervise the rest, as “Antman” seems unlikely to crawl very far beyond its native borders
This is the politically incorrect third and final part of the now famously successful trilogy, where Mr. Müller and his problem kids Chantal, Danger and Co. once again take up arms against their sworn enemy, the German education system.
"Little Paris" is the nickname given to Luna's hometown in provincial Baden Württemberg. Its name comes from a replica of the Eiffel Tower on a factory roof on an industrial estate next to the A9 autobahn. Luna knows she has to leave her home, the dead-end part-time jobs and a relationship which has about as much going for it as the local market. And that's not a lot. With the arrival of the mysterious dancer G. in the small town, life in the place is suddenly shaken up his erotic vibes and moves. Luna finds herself in love with G. who is different to her childhood sweetheart Ron. G. is the first one to recognize her talent and together they start rehearsing at the "Pink Palace", a huge disco, for an audition for a dance contest in Berlin. If they win, they could end up starring in a music video. With the support of G., with whom she's falling deeper in love..
Hatice has a problem: she desperately needs a man. Because her younger sister Fatma is pregnant and must marry immediately. However, that is only allowed when Hatice is under the hood, as the old Anatolian tradition, to which the father Ismail firmly clings. But where should Hatice find a groom so fast? Because a Turk may not be under any circumstances, which may blaze in the German man already a bit Turkish fire. And so Hatice goes in search of her "Hans with hot sauce".
Ben is a young editor for a famous german music magazine in the mid 90's. His life is falling apart after his girlfriend breaks up with him. From now on he decides to go solo...