Georges, a wealthy Parisian, has a mistress who wants to marry him, but he has no intention of divorcing his wife, the source of his money. The mistress, meanwhile, has a jealous boyfriend, so when Georges dumps her, two people are angry with him. Add Georges' wife, who suspects the affair. The mistress calls Georges to say she's coming to tell his wife everything, so Georges asks Maurice, a stranger who's passing by, to pose as his wife and scare off the mistress. In this farce, nothing goes as Georges plans.
Former secret government agent Max Hecker (Sven Martinek) disguises himself with a clown mask in order to fight international crime. He hangs up his mask when one of his supporters, journalist Claudia (Diana Frank), is murdered. Four years later, he must put it back on as Claudia's sister Leah (Eva Habermann) is kidnapped by the same people that killed Claudia.
After escaping from the Sudeten German Marienbad, Clara, together with her widowed brother-in-law Johann and his four children, is quartered in a small Franconian village in 1946. In addition to hunger and poverty Clara burdens the tuberculosis of her six-year-old niece Heidi. To raise money for life-saving medicines, she works as a harvest helper at Gut Braunfels. Here she meets the estate manager Martin again, her great love she had to leave because of the children. Immediately it sparkles again between the two, but also the power-conscious squire has kept an eye on Clara.
In 1427, Lady Maria Van Arnstein is informed that her beloved husband Michel Van Arnstein was murdered in a battle against the Hussitas. However he was actually betrayed by his ambitious cousin Hettenhein that wants his lands and castle. The Pope's Great Inquisitor Janus Suppertour meets King König Sigismund and tells that he wants Maria for him. Meanwhile Maria does not find blood in Michel's sword and believes that he is alive. She asks to the king for a period to seek out Michel and Sigismund grants ten days to her. She leaves the Hohenstein Castle and heads to the lands of the independent Solkony that are preparing to a war against the Hussitas that want the right of free will to follow the religion they want. Along her journey, Maria will meet leaders and will help to bring peace to Solkony. But her beloved Michel is amnesic and does not recall his previous life with her.
“The Antman” is a lovingly-made but sluggish monster-movie parody, done with German-speaking actors on a sparse soundstage standing in for 1950s Mexico. Promising concept is bolstered by colorful performances by Gotz Otto and Lars Rudolph, and the filmmakers have fun with pic’s look, right down to tacky lighting worthy of Roger Corman. But Marc Meyer’s script isn’t fast or funny enough to keep pace with energetic visuals. The first in a projected series of B-movie homages grouped as “Planet B,” the producers might want to call in Joe Dante to supervise the rest, as “Antman” seems unlikely to crawl very far beyond its native borders
This is the politically incorrect third and final part of the now famously successful trilogy, where Mr. Müller and his problem kids Chantal, Danger and Co. once again take up arms against their sworn enemy, the German education system.