The Spectacle is a short reflective documentary that explores the world of modern tourism. Filmed in various locations across Europe, the documentary unveils the transformation of serene landscapes into bustling tourist attractions. What remains truly seen and felt amidst the curated snapshots of our adventures?
Over 25 years and 10 studio albums—using powerful sonic force mixed with subtlety and grace—Mogwai have defined their own musical genre and built a cult following. The film takes us on a journey from their very beginnings, in the mid 1990s, to creating their tenth studio album in their hometown of Glasgow in 2020. While at first seemingly impossible to make, they ultimately made history with it.
In 1965, Janis Ian, a 14-year-old singer-songwriter from New Jersey, wrote “Society’s Child” about an interracial relationship. Recorded and released a year later, the song launched Ian's career, but its subject matter ignited controversy, even resulting in death threats. The fallout plunged Ian into an emotional tailspin–and yet a few years later she emerged from the ashes with an even bigger hit, “At Seventeen.” Over six decades, Janis Ian gained ten Grammy nominations in eight different categories, saw her song “Stars” recorded by such luminaries as Nina Simone and Cher, and overcame homophobia, misogyny, and a life-threatening illness to produce an indelible body of work that continues to draw audiences around the globe. Featuring Janis Ian, Joan Baez, Jean Smart, Arlo Guthrie, Lily Tomlin, and Tom Paxton, among other icons.
Andy Kaufman's provocative comedy often outraged audiences, challenging them to confront their own presumptions. Through never-before-seen footage and intimate recollections, filmmaker Alex Braverman explores Kaufman’s brief but impactful life and career. As the lines between performance and reality blur in our present age, Kaufman’s genius resonates more than ever.
Students flooded Columbia University’s lawn to create the Gaza Solidarity Encampment in order to pressure their university to divest from the US and Israeli weapons companies. THE ENCAMPMENTS follows the central organizers of the encampment as they are thrust into the spotlight, face violent police repression and suspension, congressional pressure, and a media firestorm, all while fighting to attain their goal of divestment at any cost.
The shocking story of Aum Shinrikyo, the doomsday cult that unleashed a deadly nerve gas in Tokyo’s subway system in 1995. Founded by disillusioned yoga teacher Shoko Asahara, Aum transformed into a terrorist organization while Japan’s police and media turned a blind eye. Featuring rare archival footage and an interview with one of Asahara’s former high-ranking disciples. A Sundance premiere.
The official documentary about the 1986 cult classic RAD. It features exclusive interviews with cast, crew and the BMX legends who performed the stunts, and revisits and explores iconic moments from RAD.
In 2003, eight Rhode Islanders created a secret apartment inside a busy mall and lived there for four years, filming everything along the way. Far more than a prank, the secret apartment became a deeply meaningful place for all involved.
Drawing on the Arab heritage of oral tradition and mosaic pattern, Leila and the Wolves is an exploration of the collective memory of Arab women and their hidden role in history throughout the past half century both in Palestine and in Lebanon.
The Impressionists are the most popular group in art history – millions flock every year to marvel at their masterpieces. But, to begin with, they were scorned, penniless outsiders. 1874 was the year that changed everything; the first Impressionists, “hungry for independence”, broke the mould by holding their own exhibition outside official channels. Impressionism was born and the art world was changed forever. What led to that first groundbreaking show 150 years ago? Who were the maverick personalities that wielded their brushes in such a radical and provocative way? The spectacular Musée d’Orsay exhibition brings fresh eyes to this extraordinary tale of passion and rebellion. The story is told not by historians and curators but in the words of those who witnessed the dawn of Impressionism: the artists, press and people of Paris, 1874.