Nine translators have been picked by a ruthless publisher and locked in a luxury bunker to translate the highly anticipated book of a famous author in record time. Although the translators are confined to prevent any kind of leak because of the high financial stakes, a crisis erupts when someone posts the first 10 pages of the novel online and blackmails the publisher to pay 5 million euros. A hunt for the culprit inside the bunker unfolds.
A couple of hippies are searching for Joe, a long time friend from the 70s who seem to be stuck in time and never aged a day since then. Through technicolor ninjas, bizarre metalheads, shamans and ancient rituals, the two embark on a journey with no turning back.
Set against the badlands of colonial Australia where the English rule with a bloody fist and the Irish endure, Ned Kelly discovers he comes from a line of Irish rebels, an uncompromising army of cross dressing bandits immortalized for terrorizing their oppressors back in Ireland. Nurtured by the notorious bushranger Power and fueled by the unfair arrest of his mother, Ned Kelly recruits a wild bunch of warriors to plot one of the most audacious attacks of anarchy and rebellion.
With echoes of Fellini’s The Sweet Life (La Dolce Vita, 1960), the film The Great Beauty (La Grande Bellezza), shown at this year’s Cannes film festival, evokes cinematic admiration and makes one wish it would never end, while leading film critics tend to refer to it as the most momentous film of the festival.
Jep Gambardella (actor Toni Servillo) is an indolent and disenchanted 65-year-old writer and journalist, coasting on his sole successful novel published nearly fifty years ago. A grey-haired man of property, an intellectual and a lion of eccentric high society gatherings, he is the Rome’s king of the socialites, expert in courting in a gentlemanly manner and laudably extending condolences at funerals. Sounds cynic? It probably does. Yet, deep in the heart, Jep is a romantic idealist and dreamer, engulfed in the swirl of the great beauty filled with vacuity and vanity.
His penthouse suite overlooking the Coliseum is a regular place of gatherings for the bohemia and Rome’s elite. Jep finds himself to be an observer of a parade of the prominent and vacuous elite raging in never-ending parties and modern art performances he is a part of. Surrounded by a perpetual flurry, the man ponders why he did not write a second novel for several decades and tries to solve the agonising dilemma of his personal life.
Glorifying the beauty of the eternal city, the heady film is full of Fellini-esque grotesque, critique of high society vacuity, and almost caricatured party shots mixed with intellectual discussions. This certainly the most beautiful film opens in cinema theatres in Latvia already from 15 November.
Cast: Toni Servillo, Carlo Verden, Sabrina Ferilli, Carlo Buccirosso, Iaia Forte, Pamela Villoresi, Galatea Ranzi
Directed by Paolo Sorrentino
Italian language with latvian and russian subtitles.
American car designer Carroll Shelby and driver Ken Miles battle corporate interference, the laws of physics and their own personal demons to build a revolutionary race car for Ford and challenge Ferrari at the 24 Hours of Le Mans in 1966.
Pain and Glory tells of a series of reencounters experienced by Salvador Mallo, a film director in his physical decline. Some of them in the flesh, others remembered: his childhood in the 60s, with his parents to a village in Valencia, the first desire, his first adult love in the Madrid of the 80s, the pain of the breakup of that love while it was still alive and intense. In recovering his past, Salvador finds the urgent need to recount it, and in that need he also finds his salvation.
One evening, when they come home, Mr. and Mrs. Prioux are astounded to find that a certain Patrick has moved into their place. This strange young man has returned home to his parents in order to introduce his wife.
Cidade de Deus is a shantytown that started during the 1960s and became one of Rio de Janeiro’s most dangerous places in the beginning of the 1980s. To tell the story of this place, the movie describes the life of various characters, all seen by the point of view of the narrator, Buscapé. Buscapé was raised in a very violent environment. Despite the feeling that all odds were against him, he finds out that life can be seen with other eyes...