Lena Yartseva is a Moscow school girl. She has a typical family of modest means. Lena loves to dream of a good life and a lot of time in the nearby shopping center, where is her realm of dreams, and the mirror looks at her reflection – usually clad girls. Too much of a difference between her parents’ wishes and possibilities. Perfectionism, anger, temper originate Lena quarrels with his parents and leaves the house.
A bizarre tale of a fictional experiment performed during the Stalin-controlled years in the USSR. The main character is changed from a woman into a man. This is part of a larger plan to change more women into men and have a stronger workforce.
The documentary project The Term was conceived in May 2012. When the directing trio commenced mapping the Russian sociopolitical landscape, Vladimir Putin had just settled into the Kremlin for his third term. The original experimental format of “documentary bulletins,” which were published daily online, allowed for wide-ranging content; in the feature film version, however, the filmmakers focused solely on the members of various opposition groups. Nevertheless, the work’s neutral position remains and viewers have to interpret the objectively presented situations for themselves. The main characteristics of this strongly authentic movie include close contact with the protagonists, precise editing, and an effectively controlled release of information.
Eleven comedic vignettes featuring conversations – some important, some less so – held in restaurants over coffee and cigarettes (how quickly time flies – cigarettes are banned in Russia’s restaurants now). The conversations are candid, and even veer into the territory of murder. In the final credits, the director apologizes to Jim Jarmusch, whose work (in the anthology Coffee and Cigarettes, which Jarmusch shot in pieces over many years) Oldenburg-Svintsov is clearly indebted to. Sex, Coffee, Cigarettes’s kinship with Jarmusch’s film extends to the fact that superstars play tiny roles in almost all of the vignettes.
Sonia is a television editor, she is married to successful Soviet writer Sergey and they have a son in a high school. Their life was almost perfect... until the moment they meet Bernard from France and his translator André.
After spending seven years in jail for an art heist, Frenchman Victor Lambert returns to Moscow to uncover the circumstances behind his son Jeremy's brutal murder. He is backed by his lover Alexandra, and by his ex-partner-in-crime, choreographer Souliman.