In the spring of 2017, the Investigation Committee conducted the first searches in the criminal case, which everyone now knows as the “Serebrennikov case”, “the Seventh Studio case” or “The Platform case”. Six people, among whom is a world-famous director, are accused of having stolen more than one hundred million rubles allocated for staging performances from the state. And for this they can go to jail for 10 years. Journalists Katerina Gordeeva and Roman Super tried to figure out the essence of this matter. We talked to people who know what theater is, including in terms of money. Studied financial documents. Communicated with those with whom no one had ever succeeded. They understood why the applause of the audience and the compliments of the Ministry of Culture turned into arrests. And of course, went to all court sessions.
The action takes place shortly after the end of the Second World War in the Siberian hinterland, among Russians and Germans with damaged personal stories and a strange transformation: the victors seem to be crawling into the skins of the defeated, and vice versa. Ignat, is the embodiment of the larger-than-life image of the Soviet victorious warrior who, in fact, proves to be shell-shocked, sick and broken, although not completely destroyed. Trains become fetish for the heroes of the film, and speed becomes a mania; they virtually become one with their steam engines, while the machines take on human names. The heroes set up an almost fatal race in the Siberian forest, risking their own lives and those of others.
Returning to Saint Petersburg after a long exile, the dashing Yakovlev, a retired army officer, makes a comfortable living by winning other people's duels. An enigmatic, focused, and extremely skilled professional, he leaves a trail of dead bodies behind him as he swirls through polite society, frequently called upon to wield a pistol as a surrogate in duels at dawn. But when Yakovlev meets the naïve young Prince Tuchov and his beautiful sister, Princess Martha, the normally cold-hearted mercenary is surprised by hitherto undetected emotions. What transpires uncovers a series of revelations about his past and his present self.
A prosperous and calm life in an instant explodes into a monstrous event, and nothing will ever be the same again. A terrible bleeding scar remains in the soul forever. One fine day, a young and charming archaeologist Alexei, five minutes later a doctor of science, learns that his sibling was buried alive. And the brother’s killer is alive and left unpunished. Blinded by grief, Alex decides to kill ...
The action takes place in Lwów (L'viv) on the eve of World War II. A former White Army officer (Vladimir Mashkov) after the defeat of the Whites in the civil war in Russia emigrated to Poland (Lwów was a Polish city at that time). The chief dream of his was to buy Alaska from the USA and to return it back to Russia.
When in 1977 these guys came to Moscow from Pyatigorsk, for two they had 160 rubles and a can of cornel jam. And Muscovites contemptuously called them the limit. Years passed, and the brilliant abilities of the young children were realized. Misha became a bank employee, encrypting all documentation on a computer, Ivan - a criminal hacker, which no computer protection could resist. Fulfilling the tasks of mafia structures and penetrating the banking network, Ivan helped customers rob banks, thereby gaining unquestioned authority in the criminal world.
A wife finds her life transformed after a torrid affair in this story of murder. Katia is a rather dull young woman who types manuscripts for Irina, her husband’s mother and successful writer of romance novels. Katia’s husband is a real momma’s boy. They go to Irina’s summer house to work. There Katia encounters the intense and sexy Serguei who creates passionate longings with in her. Overcome she and Serguei engage in vigorous love-making upon a windowsill where Irina sees them. Irina has a weak heart. Quiet Katia, having rediscovered the joys of sex, changes and becomes more assertive and flighty. Serguei quickly loses interest in her. Strange and deadly things begin happening at the summer house which calls the attention of a judge who is extremely familiar with Irina’s writing.
In 1946, a soldier fathers a child then dies before its birth. Jump to 1952: on a train, the child and his mother meet a handsome soldier who makes a play for her. She accepts. Posing as a married family, the soldier finds them a rooming house where he becomes everyone's favorite through his good looks and generosity. Meanwhile he gives the boy, Sanya, lessons in life: to fight back, to win at all costs. The child's mother, Katya, is head-over-heels in love with Tolyan, the soldier, but the relationship becomes rocky when Tolyan's true plans for the rooming house become clear. It starts them on a treadmill of flight that risks Katya's life, Tolyan's liberty, and Sanya's trust.
Dovlatov charts six days in the life of brilliant, ironic writer who saw far beyond the rigid limits of 70s Soviet Russia. Sergei Dovlatov fought to preserve his own talent and decency with poet and writer Joseph Brodsky while watching his artist friends get crushed by the iron-willed state machinery.