A Moscow journalist is sent to prepare a report on the work of Santa Claus on New Year's Eve. Dressed in the suit and beard of the main New Year's wizard, he gets home to the boy Sasha, to whom he promises to fulfill his desire - to return his dad.
Gena tried all his life to be the support of the family. For this, he even abandoned his stormy youth and dreams of becoming a KVN star. And when, 25 years later, his wife called him boring and offered to divorce, Gena decides to make up for lost time - fill his life with adventure and go to the KVN festival in Sochi. And a new acquaintance pushes him to this journey - a beautiful girl of very easy virtue. She is sure that the talented Gena will quickly become a star of humor with her help. If it doesn't disappear even faster, along with a decent amount from Genya's card.
In the summer camp, a serious war broke out between a detachment of disabled children and hooligans who suddenly appeared. And only one thing can reconcile them - saving the camp from demolition, which was conceived by the local director and the mayor for the purpose of profit.
It is New Year’s Eve, and Marie is in for a very unpleasant surprise: her mother is forced to marry against her will to the revolting money lender Mr. Ratter. As a token of proposition, he gives Marie a doll named Nutcracker. A miracle occurs and Marie becomes the same size as her childhood toys, who all come to life. Nutcracker turns out to be Prince George, who has been put under a spell. Marie, George and toy friends travel to the Land of Flowers with a mission to save the world from falling under the control of the rat people.
In the midst of the pandemic, Inga, a well-known actress, finds a Central Asian migrant courier on her doorstep. Нe is unconscious. At the risk of falling sick, Inga allows the youth to stay at her place, but on one condition.
On Parents’ Saturday, the ancestors’ memorial day, a mother and her son travel in an old Sedan. They have far to go: in a day they have to visit five cemeteries, scattered across the region. From the very beginning nothing goes according to plan.
In the Land of Cold, where the good queen Morozana reigns and ice cream is made for children, the villain Icicle suddenly seized power. The girl Varya, the boy Artyom and his Grandfather join the fight, the magic syrup of Good saves Varya and destroys the Icicle's plans. Friends and Grandpa have again launched the conveyor belt with good old ice cream, which brings joy and goodness to children.
A young Finnish woman escapes an enigmatic love affair in Moscow by boarding a train to the arctic port of Murmansk. Forced to share the long ride and a tiny sleeping car with a larger than life Russian miner, the unexpected encounter leads the occupants of Compartment No. 6 to face major truths about human connection.
A sensitive and intimate portrait of Ivanna, a nomadic reindeer herder in the Russian Arctic and mother of five small kids. Ivanna is forced to leave the traditional way of life and emigrate to the city, following her own dreams, due to the quickly deteriorating conditions of life in the tundra. We follow her life for several years.
The introvert Russian girl Nadia goes on holiday to Belgrade, inhabited by extrovert Serbians. She lives according to a plan, while the Belgraders live for joy. At first, Nadia is involved with the local guy Nesha, and then with his relaxed, semi-vagrant way of life. She takes the impulsive decision to give up her dull job and Moscow for the sake of love, freedom and Belgrade. Both this love, and this freedom must undergo the test of reality, which is always more difficult than our expectations.
While St. Petersburg is shocked by a series of strange suicides, Yegor prepares to move to Moscow to forget the past and start a new life. His plans change when he meets Karina - the girl is sure that all the victims did not commit suicide of their own free will. Together, the young people will try to stop the deaths behind the creepy Man in White.
A sprawling meditation on the choreography of bodies in Moscow's urban landscape, Detours depicts a new way of dealing illicit drugs via the Darknet, the layering of the physical and the virtual realities, as well as a poetics, and politics, of space. Taking place in sleepy neighbourhoods, among the concrete walls of high-rises, behind garages and amidst abandoned railroads, the film alternately follows and loses track of Denis, the treasureman who hides stashes of drugs all over the city.