Monu gandrīz pārņem skumjas un depresija. Pēc tēva nāves viņa pati sevi pārtrauc: pamet mācības - tagad viņa strādā kā biroja asistente, ignorējot mātes aicinājumus, runājot ar sevi spoguļos un noraidot piedāvāto tuvību. Viņu uzrauga komiskas ārpuszemes būtnes, kuras mēs redzam kā karikatūru sašūpošanos. Viņi nodrošina, ka nejaušas darbības rada viņas sakarus - ar kaimiņa zēnu, viņa māti un viņa slepeno klavieru skolotāju (zēns vēlas pārsteigt savu mammu). Viņa arī tiekas ar lifta operatoru ēkā, kur viņa dodas uz kundzi Hadaveju, atraitni ar perfektu dikciju. Vai Mona var spert dažus soļus emociju izteikšanas ceļā?
Vairāk
Mona is nearly overwhelmed by grief and depression. After her father's death, she's cut herself off: leaving teaching - she now temps as an office assistant, ignoring her mother's calls, talking to herself in mirrors, and rejecting any offered intimacy. She's watched over by comic extraterrestrial beings whom we see as cartoon squiggles. They ensure that random acts bring her connections - with a neighbor boy, his mother, and his surreptitious piano teacher (the lad wants to surprise his mom). She also meets an elevator operator in the building where she temps for Ms. Hadaway, a widow with perfect diction. Can Mona take a few steps on the road to expressing emotion?
Monu gandrīz pārņem skumjas un depresija. Pēc tēva nāves viņa pati sevi pārtrauc: pamet mācības - tagad viņa strādā kā biroja asistente, ignorējot mātes aicinājumus, runājot ar sevi spoguļos un noraidot piedāvāto tuvību. Viņu uzrauga komiskas ārpuszemes būtnes, kuras mēs redzam kā karikatūru sašūpošanos. Viņi nodrošina, ka nejaušas darbības rada viņas sakarus - ar kaimiņa zēnu, viņa māti un viņa slepeno klavieru skolotāju (zēns vēlas pārsteigt savu mammu). Viņa arī tiekas ar lifta operatoru ēkā, kur viņa dodas uz kundzi Hadaveju, atraitni ar perfektu dikciju. Vai Mona var spert dažus soļus emociju izteikšanas ceļā?
Vairāk
Mona is nearly overwhelmed by grief and depression. After her father's death, she's cut herself off: leaving teaching - she now temps as an office assistant, ignoring her mother's calls, talking to herself in mirrors, and rejecting any offered intimacy. She's watched over by comic extraterrestrial beings whom we see as cartoon squiggles. They ensure that random acts bring her connections - with a neighbor boy, his mother, and his surreptitious piano teacher (the lad wants to surprise his mom). She also meets an elevator operator in the building where she temps for Ms. Hadaway, a widow with perfect diction. Can Mona take a few steps on the road to expressing emotion?