Rod Goldman and Al Silverman are street performers who work the tourist scene of Times Square. Goldman gets no respect and Silverman is the first one to make sure of that.
The Once-Lers are told by the owner that they can sit on the wagon and that it had better not move. They and the donkey nod in agreement. The Once-Lers try to get the donkey to move. He won't move. The small Once-Ler taunts the donkey with what looks like an apple in front of him on a long pole the he's off. Did they get the wagon back in time? Yes, but what transpired from start to finish?
Shot over the course of six weeks on 16mm film by Greek cinematographer, Thimios Bakatakis (The Lobster and The Killing of a Sacred Deer), the new rag & bone Films short coincides with the launch of the rag & bone Fall 2018 collection. The film was shot in New York and Los Angeles and features Kate Mara, Boyd Holbrook, Pom Klementieff, Lakeith Stanfield, Reed Morano, Lake Bell, Jon Hamm and Emma Roberts. To capture the spirit of cinema verité, each character was shot by Bakatakis through a handheld approach and using available lighting.
When Samson and Delilah pack up for school like dutiful children, Mom and Dad employ their own adolescent diversions to try to keep them at home. A whimsical role-reversal story with enough love to go around.
A humorous documentary on the making of Alex Cox's punk biopic SID AND NANCY. Features exclusive behind the scenes production and commentaries from Alex Cox, Gary Oldman, Chloe Webb, David Hayman, Eric Fellner and more...
Five strangers wake up in terror. Tied and bound, they are determined to figure out what happened to them. None of them are prepared for what they are about to witness.
After the controversial disappearance of their Chief Medical Officer, a shadowy bio genetics company is under siege by the FBI for secretly cloning humans. Amidst the chaos, Molgen’s head mercenary Holt (Jon Bernthal) is sneaking out the last living clone, a young woman named Lily (Dakota Fanning) to a mysterious buyer. Holt has hired The Driver (Clive Owen), accompanied by a heavily armed squadron of fellow Molgen mercenaries, to evade the authorities and deliver Lily and himself to the buyer. The journey takes an unexpected turn and Holt is forced to take matters into his own hands, as the driver once again demonstrates his mettle and extraordinary driving skills.
Humans use technology to improve their lives, to forge connections, to create time that doesn’t exist, to replace real interactions. When we devise a second version of ourselves on social media, do we lose a piece of our true selves in the process? Do our digital connections threaten our real life relationships? What happens if the filtered characters we’ve imagined take on a life of their own?