A film essay about a singular couple, Paco and Manolo, two Catalan photographers from the outskirts of Barcelona, who have been together for thirty years. Both have managed to work as a single photographer and have captured their imagery in the Kink magazine, a very personal photography fanzine with an essentially Mediterranean homoerotic aesthetic. Paco and Manolo’s style can be summarised in simplicity, the use of natural light, abandoned places and simple rooms, managing to record the Sex Appeal of the working class, an unprejudiced mix of aesthetics that goes from Caravaggio to Pasolini.
Ruben and Carlos become cellmates in a minimum-security prison. While Ruben struggles to learn the ropes of daily life and where he falls in the complex hierarchical prison system, Carlos becomes a mentor and then eventually a lover. The two men develop feelings for one another they can't easily express. As time moves on and one of them is released before the other, there are questions looming as to whether what they had was real or simply out of the need for human connection.
The happy gay couple David and Khaled would love to marry publicly - if there weren't Khaled's homophobic father Faisal, David's pseudo orthodox Jewish acting mother Lea and a possible paternity and gallery insolvency.