Engaging, emotional and riveting, FAREWELL is an intricate and highly intelligent thriller pulled from the pages of history— about an ordinary man thrust into the biggest theft of Soviet information of the Cold War. Ronald Reagan called this piece of history - largely unknown until now - “one of the most important espionage cases of the 20th century.” FAREWELL begins in 1981, after the Soviet invasion of Afghanistan. A French businessman based in Moscow, Pierre Froment, (Guillaume Canet) makes an unlikely connection with Grigoriev (Emir Kusturica), a senior KGB officer disenchanted with what the Communist ideal has become under Brezhnev. Grigoriev begins passing Froment highly sensitive information about the Soviet spy network in the US.
Bastien, an ambitious young production assistant, catches the attention of Jean-Louis, a producer of high regard, and is granted a shot at his own television show.
Italy, early nineties. Calm, clever and inscrutable, politician Giulio Andreotti has been synonymous with power for decades. He has survived to everything: electoral battles, terrorist massacres, loss of friends, slanderous accusations; but now certain repentant mobsters implicate him in the crimes of Cosa Nostra.
Swann (Jeremy Irons), an eligible bachelor in the best circles of fin-de-siècle Paris, has also some more vulgar but rich friends, the Verdurins. Through them he meets Odette (Ornella Muti), a courtesan, with whom he falls hopelessly in love. She seems to enjoy his company, for which he pays, but considers herself free to socialise and sleep where she pleases, particularly with a rival called de Forcheville. Swann’s passion turns to consuming jealousy, which leads him eventually to accept the social stigma of marrying her. One old friend, the overtly gay Charlus (Alain Delon), stays sympathetic.
DNA revolves around a woman with close ties to a beloved Algerian grandfather who protected her from a toxic home life as a child. When he dies, it triggers a deep identity crisis as tensions between her extended family members escalate revealing new depths of resentment and bitterness.
The story starts where the tale ends: Snow White wakes up to the age of sexuality and discovers a world where the dwarves have become tall, and her Prince Charming is deprived of charisma. And, most terrible of all, her mother is incomparably more sexy.
The successful novelist Judith Ralitzer is interrogated in the police station about the disappearance of her ghost-writer. A serial-killer escapes from a prison in Paris. A missing school teacher leaves his wife and children. In the road, the annoying and stressed hairdresser Hughette is left in a gas station by her fiancé Paul while driving to the poor farm of her family in the country. A mysterious man offers a ride to her and she invites him to assume the identity of Paul during 24 hours to not disappoint her mother. Who might be the unknown man and what is real and what is fiction?
After the suicide of his actress-mother, a young man announces his identity to his father, who happens to be the man who directed his mother's last film.
Made of four short tales, linked by a story filmed by Wim Wenders. Taking place in Ferrara, Portofino, Aix en Provence and Paris, each story, which always a woman as the crux of the story, invites to an inner travel, as Antonioni says "towards the true image of that absolute and mysterious reality that nobody will ever see".
Madame Jouve, the narrator, tells the tragedy of Bernard and Mathilde. Bernard was living happily with his wife Arlette and his son Thomas. One day, a couple, Philippe and Mathilde Bauchard, moves into the next house. This is the accidental reunion of Bernard and Mathilde, who had a passionate love affair years ago. The relationship revives... A somber study of human feelings.