Keith Bennets mother passed away a year ago, and he feels like he has moved on with his life, until one morning his mothers jewelry shows up on Keiths bathroom sink. The same jewelry she was buried in. Keith tells his wife Karen, about the jewelry and that is the last straw. She claims he is distant and has shut her out. Now he thinks he is seeing things that aren't there and if things don't improve, she will take their only son and leave. Forced with the ultimatum, Keith launches himself on a day of reclamation. Keith winds up on the phone with a popular radio Psychiatrist who guides Keith through what he cannot see on his own. Keith discovers a new man and a new attitude. Several people are listening to Keith's plight on the radio and are making changes of their own. Is this dead visitor all in Keith's head or is she truly a Mother Ghost?
Playtime’s cosmopolitan spectacle, presented in a kaleidoscopic montage across seven large screens, interconnects the lives of its archetypical characters—hedge fund managers and art world players in London; a photographer in Reykjavik; and a Filipina houseworker in Dubai—each of whom is based on a real-life individual directly affected by the market collapse.
The men of a small town on the edge of nowhere mysteriously disappear, one by one, leaving women and children behind to fend for themselves in a desolate and dreamlike world.
When a lonely suburban man turned gay porn producer discovers a hot, lucrative new star, he finds himself the target of rival pornographers who will stop at nothing to steal his money maker.
A dispossessed, violent man's life is a disastrous attempt to exist outside the social order. Successively deprived of parents and homes and with few other ties, he descends to the level of a cave dweller and falls deeper into crime and degradation.