Moro returns to Alma Ata to collect money owed to him. While waiting out an unexpected delay, he visits his former girlfriend Dina, and discovers she has become a morphine addict. He decides to help her kick the habit and to fight the local drug maphia responsible for her condition. But Moro finds a deadly opponent in "the doctor," the maphia kingpin who is exploiting Dina.
The owner of the private detective agency Ilya Mirsky receives a tempting offer from the wife of media mogul Eva Lukachyova - he should not allow the leak of compromising information, which would deprive Eva of her multimillion-dollar inheritance. Deciding to take the case, Ilya could have hardly imagined that he would have to face a whole series of sophisticated murder, and that the result would be in the danger of his own life.
Tamara becomes a victim of circumstances. Her lover left her. She nearly lost her best friend. Even in her own apartment Tamara does not feel safe - there she finds the corpse of a neighbor. In a panic, the heroine goes to the country, but there she becomes a prisoner of the bandits.
In response to a new friend's queries, Vera recounts the story of her life, beginning with marrying her no-good husband Cayre, who has been using her for some time as a kind of unpaid prostitute in order to keep his failing building business afloat.
Depardieu plays an unnamed hunter and we join him and his dog as they depart for a nearby forest to snare some rabbits - or perhaps he's hunting for something far more elusive? His excursion soon progresses from carefree meandering to a palpable sense of placelessness and it doesn't take long before the hunter's dog disappears and he finds himself lost.
After spending seven years in jail for an art heist, Frenchman Victor Lambert returns to Moscow to uncover the circumstances behind his son Jeremy's brutal murder. He is backed by his lover Alexandra, and by his ex-partner-in-crime, choreographer Souliman.
Onoff is a famous writer, now a recluse. The Inspector is suspicious when Onoff is brought into the station one night, disoriented and suffering a kind of amnesia. In an isolated, rural police station, the Inspector tries to establish the events surrounding a killing, to reach a startling resolution.
Everyone has a secret. Twins Sarah and Gaëlle near 25; for ten years, Sarah has been a fundamentalist Carmelite in a Brazilian convent, and Gaëlle has been in prison for a heinous crime. Sarah comes to the attention of Fr. Joachim, a priest and physician; he can find no cause for her debilitating abdominal pain. When Sarah and he are transferred to Paris, Joachim looks for Gaëlle, now on probation and finding no respite from society's approbation. An enterprising reporter is digging into Gaëlle's life, the mother superior of Sarah's convent hovers over her, and Joachim investigates the phenomenon of twin's symmetry. Is there any release from the past?
During the medieval times, Martin Guerre returns to his hometown in the middle of France, after being away in the war since he was a child. Nobody recognise him, and the people who knew him suspect he is not Martin, but he knows all about his family and friends, even the most unusual things. Is this man really Martin Guerre?
French filmmaker Claude Miller's This Sweet Sickness is based on a suspense novel by Patricia Highsmith, of Strangers on a Train fame. In the original, the murder-protagonist was a psychotic, pure and simple (if such words are appropriate here!) In Miller's version, the "hero," David, is a pathetic creature, motivated by humiliation and sexual inadequacy; thus the emphasis is not on his heinous crimes but on his warped personality. The director's noirish decision to stage much of the action in the dark, or the rain, or both, is a function of David's deep depression. As in his other films, Miller uses water as an omen of evil; you've seldom seen a more foreboding swimming pool than the one in This Sweet Sickness. The film was originally released as Dites-lui que je l'aime.