After spending seven years in jail for an art heist, Frenchman Victor Lambert returns to Moscow to uncover the circumstances behind his son Jeremy's brutal murder. He is backed by his lover Alexandra, and by his ex-partner-in-crime, choreographer Souliman.
Onoff is a famous writer, now a recluse. The Inspector is suspicious when Onoff is brought into the station one night, disoriented and suffering a kind of amnesia. In an isolated, rural police station, the Inspector tries to establish the events surrounding a killing, to reach a startling resolution.
Everyone has a secret. Twins Sarah and Gaëlle near 25; for ten years, Sarah has been a fundamentalist Carmelite in a Brazilian convent, and Gaëlle has been in prison for a heinous crime. Sarah comes to the attention of Fr. Joachim, a priest and physician; he can find no cause for her debilitating abdominal pain. When Sarah and he are transferred to Paris, Joachim looks for Gaëlle, now on probation and finding no respite from society's approbation. An enterprising reporter is digging into Gaëlle's life, the mother superior of Sarah's convent hovers over her, and Joachim investigates the phenomenon of twin's symmetry. Is there any release from the past?
During the medieval times, Martin Guerre returns to his hometown in the middle of France, after being away in the war since he was a child. Nobody recognise him, and the people who knew him suspect he is not Martin, but he knows all about his family and friends, even the most unusual things. Is this man really Martin Guerre?
French filmmaker Claude Miller's This Sweet Sickness is based on a suspense novel by Patricia Highsmith, of Strangers on a Train fame. In the original, the murder-protagonist was a psychotic, pure and simple (if such words are appropriate here!) In Miller's version, the "hero," David, is a pathetic creature, motivated by humiliation and sexual inadequacy; thus the emphasis is not on his heinous crimes but on his warped personality. The director's noirish decision to stage much of the action in the dark, or the rain, or both, is a function of David's deep depression. As in his other films, Miller uses water as an omen of evil; you've seldom seen a more foreboding swimming pool than the one in This Sweet Sickness. The film was originally released as Dites-lui que je l'aime.
Julien lives alone with his cat. He dreams of Marie, and a few minutes later, he sees her on the street and makes a date. He asks her to move in with him, and she does. Her boyfriend is dead, the rest of her past a mystery. Although they quickly seem to fall in love, she sometimes pulls away suddenly from Julien, is distant, and spends the night in a hotel. She also dreads something imminent and warns Julien that if he missteps, he will lose her and all memory of her. Julien responds by digging into her past: what explains her remodeling an upstairs garret room, her nightly dreams, her fears? What can Julien, now desperately in love, do when he learns why? Can either rescue the other?
The Daughter of the Moon battles the Daughter of the Sun over a magical diamond that will allow the winner to remain on Earth, specifically in modern day Paris.
The wealthy Tombsthays hire a guitar tutor, David Aurphet, for their daughter Vivian. The wife, Julia, begins a passionate affair with David. Edwige, Julia's new neighbour, also takes an interest in David. David is attacked one night on returning home but saved by a mysterious stranger Daniel who reveals himself to be a hired killer. David begins to suspect that his affair is no longer secret.
Commander Léa Soler and Captain Paul Marchal are divorced, but they'll have to team up. Not to mention their teenage children, Alice and Thomas, who are also forced to see each other outside of work.
An unconventional thriller that takes place over three summers — 1993-95 — in a small Texas town when a beautiful popular teen, Kate, is abducted and, seemingly unrelated, a girl, Jeanette, goes from being a sweet, awkward outlier to the most popular girl in town and, by ’95, the most despised person in America.