An out-of-town heist becomes a nightmare for a crew of French burglars when they mistakenly rob the head of the Chicago mafia. Unaccustomed to the ways of the American underworld, it is not long before they have the mafia, the FBI and a couple of street gangs on their backs as they attempt to make their way back to Paris.
Veronique, living with her divorced mother, is going on holiday to Mauritius with her father. To impress a local boy, Benjamin, she manages to complicate the situation by making up stories about her father. She presents him as her lover, a mercenary and even a secret agent which gets her into trouble and then her father has to start playing along...
Coming out from jail, Lucas has decided to change his life and behave like a good citizen. But when he is taken hostage in a bank by a hare-brained robber, no cops can believe he is not part of the action.
During the medieval times, Martin Guerre returns to his hometown in the middle of France, after being away in the war since he was a child. Nobody recognise him, and the people who knew him suspect he is not Martin, but he knows all about his family and friends, even the most unusual things. Is this man really Martin Guerre?
In 1911, a willful and determined man from peasant stock named Charles Saganne enlists in the military and is assigned to the Sahara Desert under the aristocratic Colonel Dubreuilh.
Solange is depressed: she's stopped smiling, she eats little, she says less. She has fainting fits. Her husband Raoul seeks to save her by enlisting Stephane, a stranger, to be her lover. Although he listens to Mozart and has every Pocket Book arranged in alphabetical order, Stephane fails to cheer Solange. She knits. She does housework. Everyone, including their neighbor a vegetable vendor, agrees that she needs a child, yet she fails to get pregnant by either lover. The three take a job running a kids' summer camp where they meet Christian, the precocious 13-year-old son of the local factory manager. It is Christian who restores Solange to laughter
Danton and Robespierre were close friends and fought together in the French Revolution, but by 1793 Robespierre was France's ruler, determined to wipe out opposition with a series of mass executions that became known as the Reign of Terror. Danton, well known as a spokesman of the people, had been living in relative solitude in the French countryside, but he returned to Paris to challenge Robespierre's violent rule and call for the people to demand their rights. Robespierre, however, could not accept such a challenge, even from a friend and colleague, and he blocked out a plan for the capture and execution of Danton and his allies.
French filmmaker Claude Miller's This Sweet Sickness is based on a suspense novel by Patricia Highsmith, of Strangers on a Train fame. In the original, the murder-protagonist was a psychotic, pure and simple (if such words are appropriate here!) In Miller's version, the "hero," David, is a pathetic creature, motivated by humiliation and sexual inadequacy; thus the emphasis is not on his heinous crimes but on his warped personality. The director's noirish decision to stage much of the action in the dark, or the rain, or both, is a function of David's deep depression. As in his other films, Miller uses water as an omen of evil; you've seldom seen a more foreboding swimming pool than the one in This Sweet Sickness. The film was originally released as Dites-lui que je l'aime.
Two whimsical, aimless thugs harass and assault women, steal, murder, and alternately charm, fight, or sprint their way out of trouble. They take whatever the bourgeoisie holds dear, whether it’s cars, peace of mind, or daughters. Marie-Ange, a jaded, passive hairdresser, joins them as lover, cook, and mother confessor. She’s on her own search for seemingly unattainable sexual pleasure.
Two men, fortyish, worn out by their wives, abandon everything to go and live in the back of beyond. There they meet a truculent priest, a boozer, Émile who recalls them to life's simple pleasures. Calm is what they want. But soon their example inspires thousands of disorientated males, fleeing the feminist 1970s. Soon, too, there arrives a squadron of nymphomaniac Amazons.