Diana, a high-class prostitute trying to escape from a serial killer, suffers a car accident that leaves her blind and kills the family of Chin, a ten-year-old boy.
Small town in Italy, end of the 19th century. Luciano, a drunk, accidentally kills his lover during a revolt against the local Prince. To pay for his crime, he is forced into exile on the most remote island in the world, Argentina’s Tierra del Fuego. The hunt for the shipwreck treasure hidden on the island becomes his opportunity for redemption.
This is the story of two completely opposite households: the Pavone are intellectual and bourgeois, the Vismara are proletarian and fascists. They are two tribes sharing the same jungle: Rome. A trivial accident brings these two poles together. The madness of a 25-year old youth will set them on a collision course, discovering the cards to reveal that everyone has a secret. People are never what they seem – but we are all predators in the end.
A group of five classmates is trapped inside their school bus after a mysterious creature invade the road. Time runs and every passing minute decreases their survival chances against the constant threats of that unknown entity.
Romulus and Remus, two shepherds and loyal brothers, end up taking part to a journey that will lead one of them to be the founder of the greatest nation ever seen. However, the fate of the chosen one will pass from killing his own brother.
Virgil Oldman is a world renowned antiques expert and auctioneer. An eccentric genius, he leads a solitary life, going to extreme lengths to keep his distance from the messiness of human relationships. When appointed by the beautiful but emotionally damaged Claire to oversee the valuation and sale of her family’s priceless art collection, Virgil allows himself to form an attachment to her – and soon he is engulfed by a passion which will rock his bland existence to the core.
With echoes of Fellini’s The Sweet Life (La Dolce Vita, 1960), the film The Great Beauty (La Grande Bellezza), shown at this year’s Cannes film festival, evokes cinematic admiration and makes one wish it would never end, while leading film critics tend to refer to it as the most momentous film of the festival.
Jep Gambardella (actor Toni Servillo) is an indolent and disenchanted 65-year-old writer and journalist, coasting on his sole successful novel published nearly fifty years ago. A grey-haired man of property, an intellectual and a lion of eccentric high society gatherings, he is the Rome’s king of the socialites, expert in courting in a gentlemanly manner and laudably extending condolences at funerals. Sounds cynic? It probably does. Yet, deep in the heart, Jep is a romantic idealist and dreamer, engulfed in the swirl of the great beauty filled with vacuity and vanity.
His penthouse suite overlooking the Coliseum is a regular place of gatherings for the bohemia and Rome’s elite. Jep finds himself to be an observer of a parade of the prominent and vacuous elite raging in never-ending parties and modern art performances he is a part of. Surrounded by a perpetual flurry, the man ponders why he did not write a second novel for several decades and tries to solve the agonising dilemma of his personal life.
Glorifying the beauty of the eternal city, the heady film is full of Fellini-esque grotesque, critique of high society vacuity, and almost caricatured party shots mixed with intellectual discussions. This certainly the most beautiful film opens in cinema theatres in Latvia already from 15 November.
Cast: Toni Servillo, Carlo Verden, Sabrina Ferilli, Carlo Buccirosso, Iaia Forte, Pamela Villoresi, Galatea Ranzi
Directed by Paolo Sorrentino
Italian language with latvian and russian subtitles.
Once upon a time there were three neighboring kingdoms each with a magnificent castle, from which ruled kings and queens, princes and princesses. One king was a fornicating libertine, another captivated by a strange animal, while one of the queens was obsessed by her wish for a child. Sorcerers and fairies, fearsome monsters, ogres and old washerwomen, acrobats and courtesans are the protagonists of this loose interpretation of the celebrated tales of Giambattista Basile.