Bastien, an ambitious young production assistant, catches the attention of Jean-Louis, a producer of high regard, and is granted a shot at his own television show.
Italy, early nineties. Calm, clever and inscrutable, politician Giulio Andreotti has been synonymous with power for decades. He has survived to everything: electoral battles, terrorist massacres, loss of friends, slanderous accusations; but now certain repentant mobsters implicate him in the crimes of Cosa Nostra.
When police is about to apprehend a famous gang of bank robbers, an elite sniper opens fire from a roof, thus facilitating the flee of his accomplices. However, one of them is seriously injured, which compromises the plans of the thieves.
On April 13, 2011, Les Films 13 production company turned 50. How can one celebrate an anniversary of this sort ? By simply making "another" film that would sum up all the earlier ones. D'un film à l'autre is hence a kind of anthology of the films produced Les Films 13 since the 1960s (short and feature films written and directed for the main part by Claude Lelouch), a best-of of half a century of cinema, going from Le Propre de l'homme to What Love May Bring. A biography in images of a filmmaker as admired as he is criticized. In reality, D'un film à l'autre is more than a series of film excerpts, interviews, and making-of documents (some of which possess an undeniable historical value, like that from A Man and A Woman, or the final performances of Patrick Dewaere).
Swann (Jeremy Irons), an eligible bachelor in the best circles of fin-de-siècle Paris, has also some more vulgar but rich friends, the Verdurins. Through them he meets Odette (Ornella Muti), a courtesan, with whom he falls hopelessly in love. She seems to enjoy his company, for which he pays, but considers herself free to socialise and sleep where she pleases, particularly with a rival called de Forcheville. Swann’s passion turns to consuming jealousy, which leads him eventually to accept the social stigma of marrying her. One old friend, the overtly gay Charlus (Alain Delon), stays sympathetic.
Eight women gather to celebrate Christmas in a snowbound cottage, only to find the family patriarch dead with a knife in his back. Trapped in the house, every woman becomes a suspect, each having her own motive and secret.
DNA revolves around a woman with close ties to a beloved Algerian grandfather who protected her from a toxic home life as a child. When he dies, it triggers a deep identity crisis as tensions between her extended family members escalate revealing new depths of resentment and bitterness.
Pierre Perdrix has been enjoying an enchanted though restless existence since the enigmatic Juliette Webb burst into his life. a stranger who landed in his family's unique world like a meteorite, and who by her presence alone will force this tight-knit microcosm to redefie their boundaries and finally begin to fully live their lives.
The story starts where the tale ends: Snow White wakes up to the age of sexuality and discovers a world where the dwarves have become tall, and her Prince Charming is deprived of charisma. And, most terrible of all, her mother is incomparably more sexy.
The successful novelist Judith Ralitzer is interrogated in the police station about the disappearance of her ghost-writer. A serial-killer escapes from a prison in Paris. A missing school teacher leaves his wife and children. In the road, the annoying and stressed hairdresser Hughette is left in a gas station by her fiancé Paul while driving to the poor farm of her family in the country. A mysterious man offers a ride to her and she invites him to assume the identity of Paul during 24 hours to not disappoint her mother. Who might be the unknown man and what is real and what is fiction?
Nathalie and Jean-Pierre have been together for five years, to celebrate their anniversary, Jean-Pierre prepare a surprise present for his girlfriend: a cute four month english bullgod. Nathalie loves her present and calls the puppy "Tresor"; her relationship with the dog is close and strong since the begining but causes problems in the couple.