John Schacht (February 12, 1938–August 10, 2009) was a self-trained, American artist based in the Midwest. His art ranges from biomorphic abstract paintings to folk-inspired, semi-representational drawings to ritual-like performances, altars and assemblages. Critics sometimes relate his work to Chicago Imagism due to shared affinities for fantastical and erotic imagery, Pop art-like psychedelia, and folk-art and vernacular sources. Friends and colleagues have stated, however, that Schacht, who exhibited inconsistently during his lifetime, was never part of that circle. Schacht was a pre-Stonewall generation gay man; New Art Examiner critic Michel Segard sees in his work a "palpable" sense of the emotional isolation of the closeted gay culture of the 1970s and 1980s. Schacht's work has received its fullest recognition posthumously, through reviews in The New York Times, New Art Examiner, The Brooklyn Rail and Vulture of exhibitions at the Knockdown Center in Queens, New York (2016) and Iceberg Projects in Chicago (2018).