A coming-of-age story written and directed by two 17 year olds about an awkward loner high school boy who, in an attempt to win the heart of a girl, embarks on a comedic journey as he strives to become a stand-up comedian within a mere week, following the footsteps of his Idol, Wolfe. B Collins. With the talent show looming on Friday, he must prepare to deliver the performance of a lifetime.
Kyle Kinane explores themes of tolerance and rediscovering one's roots with self-deprecating humor in Dirt Nap. Cautious optimism and self-aware hope permeate the set.
Tommy Little is the reigning rock star of Australian comedy. Now the country's favourite dickhead has done something that nobody thought was a good idea, he became a pilot. While most of us were busy giving up on baking in the lockdowns, Tommy aimed for the heavens, taking flying lessons and nailing his first solo flight (well, sort of). You'll hear about this, and other adventures in Pretty Fly For A Dickhead. On stage, Tommy is a perpetual motion machine, constantly working the crowd and landing line after line.
Taped live at the Belasco Theatre in Los Angeles, this hour-long special features the comedic stylings of multi-hyphenate legend Marlon Wayans and five up-and-coming stand-ups. Serving as emcee, Wayans shines the spotlight on actor D.C. Ervin, social media star Tony Baker, niece and stand-up comic Chaunté Wayans, writer Sydney Castillo, and noted “closer” Esau McGraw.
Stuck in COVID-19 lockdown, US comedian and musician Bo Burnham attempts to stay sane and happy by writing, shooting and performing a one-man comedy special.
Hannibal is back with his hour-long stand-up special, "Hannibal Buress Live From Chicago", taped at the Vic Theatre in his hometown of Chicago, IL. Buress’ latest offering features more of the signature dry wit and cool delivery we’ve come to love.
The stand-up comedian is a special breed, both an artist and an artisan. They work by painstakingly developing a persona, scripting and editing an act, and revising it on the spot to suit the energy of a given audience. If the audience does not grasp the countless hours crafting the routine, and the empathic micro-calculations, then the act was a success... well, as long as it was funny.