The first documentary portrait of fashion icon Ralph Lauren, reveals the man behind the icon and the creation of one of the most successful brands in fashion history.
Recut of the miniseries "Billy, How Did You Do It?": In 1988, Oscar-winning German filmmaker Volker Schlondorff ("The Tin Drum") sat down with legendary director Billy Wilder at his office in Beverly Hills, California and turned on his camera for a series of filmed interviews. The conversation went on for two weeks. The results were aired on German TV in 1992 and debuted on U.S. television when it was shown on Turner Classic Movies in 2006. We are presented with a generous smattering of film clips, rare photographs and artwork, but mostly Wilder just sits in his office and talks with the off screen Schlondorff, moving easily between English and German.
Fear and Loathing on the Road to Hollywood, also known as Fear and Loathing in Gonzovision, is a documentary film produced by BBC in 1978 on the subject of Hunter S. Thompson, directed by Nigel Finch. The road trip/film pairs Thompson with Finch's fellow Briton the illustrator Ralph Steadman. The party travel to Hollywood via Death Valley and Barstow from Las Vegas, scene of the pair's 1971 collaboration. It contains interviews with Thompson and Steadman, as well as some short excerpts from some of his work.
Filmmaker Wes Anderson ("The Royal Tenenbaums" ) interviews Peter Bogdanovich ("The Last Picture Show, "Paper Moon") about Bogdanovich's film "They All Laughed," the film Bogdanovich calls his personal best.
Behind Audrey Hepburn's dazzling image, Darcey Bussell unravels an epic tale of betrayal, courage, heartache and broken dreams. For as long as she can remember Darcey has been fascinated by Audrey Hepburn: style icon, star of Breakfast at Tiffany's, an Oscar winner at 24. Now, Darcey follows in Audrey's footsteps through Holland, London, Rome, Switzerland and Hollywood to find out more. She discovers Audrey started out as a dancer, risked her life in the war and, although adored the world over, was always looking for love.
The vinyl record renaissance over the past decade has brought new fans to a classic format and transformed our idea of a record collector: younger, both male and female, multicultural. This same revival has made buying music more expensive, benefited established bands over independent artists and muddled the question of whether vinyl actually sounds better than other formats. Vinyl Nation digs into the crates of the record resurgence in search of truths set in deep wax: Has the return of vinyl made music fandom more inclusive or divided? What does vinyl say about our past here in the present? How has the second life of vinyl changed how we hear music and how we listen to each other? —Christopher Boone