Beca (Anna Kendrick) is that girl who’d rather listen to what’s coming out of her headphones than what’s coming out of you. Arriving at her new college, she finds herself not right for any clique but somehow is muscled into one that she never would have picked on her own: alongside mean girls, sweet girls and weird girls whose only thing in common is how good they sound when they sing together, in the new out-loud comedy Pitch Perfect.
When Beca takes this acoustic singing group out of their world of traditional arrangements and perfect harmonies into all-new mash-ups, they fight to climb their way to the top of the cutthroat world of college a cappella. This could wind up either the coolest thing they’ll ever do or the most insane, and it will probably be a little of both.
Celeste and Jesse met in high school, married young and are growing apart. Now thirty, Celeste is the driven owner of her own media consulting firm, Jesse is once again unemployed and in no particular rush to do anything with his life. Celeste is convinced that divorcing Jesse is the right thing to do -- she is on
her way up, he is on his way nowhere, and if they do it now instead of later, they can
remain supportive friends. Jesse passively accepts this transition into friendship, even
though he is still in love with her. As the reality of their separation sets in, Celeste slowly
and painfully realizes she has been cavalier about their relationship, and her decision,
which once seemed mature and progressive, now seems impulsive and selfish. But her
timing with Jesse is less than fortuitous. While navigating the turbulent changes in their
lives and in their hearts, these two learn that in order to truly love someone, you may
have to let them go.
Inspired by Arthur Schnitzler's classic La Ronde, screenwriter Peter Morgan and director Fernando Meirelles' 360 combines a modern and dynamic roundelay of stories into one, linking characters from different cities and countries in a vivid, suspenseful and deeply moving tale of love in the 21st century. Starting in Vienna, the film beautifully weaves through Paris, London, Bratislava, Rio, Denver and Phoenix into a single, mesmerizing narrative.
Ali finds himself with a five-year-old child on his hands. Sam is his son, but he hardly knows him. Homeless, penniless and friendless, Ali takes refuge with his sister Anna in Antibes, in the south of France. There things improve immediately. She puts them up in her garage, she takes the child under her wing and the weather is glorious. Ali, a man of formidable size and strength, gets a job as a bouncer in a nightclub. He comes to the aid of Stephanie during a nightclub brawl. Aloof and beautiful, Stéphanie seems unattainable, but in his frank manner Ali leaves her his phone number anyway. Stephanie trains orca whales at Marineland. When a performance ends in tragedy, a call in the night again brings them togtether.
When Ali sees her next, Stephanie is confined to a wheel chair: she has lost her legs and quite a few illusions.
Ali’s direct, unpitying physicality becomes Stéphanie’s lifeline, but Ali too is transformed by Stéphanie’s tough resilience. And Stephanie comes alive again. As their stories intersect and diverge, they navigate a world where strength, beauty, youth and blood are commodities—but where trust, truth, loyalty and love cannot be bought and sold, and courage comes in many forms.
There is an extraordinary person, working as a security guard in a very popular among citizens shopping centre. He is assisting everyone: starting from salesmen in public caterings or sellers in fashionable dress shops, ending with cleaners and barmen. He knows everything and everyone, and everybody knows and loves him! He is like a brownie in this large building full of millions neon signboards and bright store windows. Indeed, he does not only work here, but he also has his proper life here – he becomes clothes free of charge, he eats delicious food in restaurants for nothing, he sleeps in a furniture sections and takes part in night races on the floorwaxers.
Gerard Butler is going to be playing the field in the funny rom com Playing For Keeps. The story follows George Dryer (Gerard Butler), who goes back to try and patch things up with his son (Noah Lomax) and estranged wife (Jessica Biel) – who is engaged to remarry someone else – and ends up coaching the boy’s soccer team. He becomes the subject of fascination and desire by every bored house wife in town, especially the gorgeous Patti (Uma Thurman) who sets out on a mission to seduce the coach. Dryer must try to survive the extreme temptations of Patti and advances of the other soccer moms, as well as revive his relationship with his son.
10 New Yorkers, 3 summer days : 30 chances to explore sex, to take a risk, to fall in love. 30 BEATS.
Ten disparate New Yorkers are connected by a summer heat wave and a series of steamy sexual encounters in 30 Beats, featuring an ensemble cast that includes Lee Pace (The Hobbit), Condola Rashad (“Ruined,” “Stick Fly,” “Steel Magnolias”), Justin Kirk (“Weeds,”) Thomas Sadoski (“Newsroom”) and Jennifer Tilly. Written, produced and
directed by Alexis Lloyd (The Claim), the film is a light-hearted exploration of seduction, spontaneity and self-discovery that’s as sultry and vibrant as the city in which it’s set. When the doe-eyed JULIE (Rashad) seeks out worldly anthropologist ADAM (Kirk) in a determined effort to lose her virginity, the stage is set for a delightful dive into a world of sensual singlehood in New York City. The encounter triggers a chain reaction that
connects 10 city-dwellers over a period of three sweltering days. After de-flowering Julie, an out-of-sorts Adam looks up seductive psychic ERIKA (Tilly), who in turn frolics with bike messenger DIEGO, who later declares his love for the scarred beauty LAURA, who subsequently tries to seduce her chiropractor MATT (Pace)..
The shifting locations, emotions and circumstances surrounding these rendezvous paint a multi-faceted picture of passionate — and often unrequited — love in the city.
A successful woman in love tries to break her family curse of every first marriage ending in divorce, by dashing to the alter with a random stranger before marrying her boyfriend.
A supernatural love story set in the South, "Beautiful Creatures" tells the tale of two star-crossed lovers: Ethan (Alden Ehrenreich), a young man longing to escape his small town, and Lena (Alice Englert), a mysterious new girl. Together, they uncover dark secrets about their respective families, their history and their town. Oscar(R) nominee Richard LaGravenese ("The Fisher King,""P.S. I Love You") directs from his adaptation of the first novel in the best-selling series by Kami Garcia and Margaret Stohl.
The film stars Alden Ehrenreich ("Tetro"), newcomer Alice Englert, Academy Award(R) winner Jeremy Irons ("Reversal of Fortune") Oscar(R) nominee Viola Davis ("The Help," "Doubt"), Emmy Rossum (TV's "Shameless") and Academy Award(R) winner Emma Thompson ("Howard's End," "Sense and Sensibility").
Since they met at a party, ambitious high-flyer Nat (Rose Byrne) and struggling novelist Josh (Rafe Spall) have been deliriously happy despite their differences. Josh is a thinker, Nat’s a doer, he’s lasses faire and she’s quite anal… but the spark between them is undeniable.
Their wedding is a dream come true, but family, friends and even the minister who marries them aren’t convinced that they can last. Josh’s ex-girlfriend, Chloe (Anna Faris), and Nat’s handsome American client Guy (Simon Baker), could offer attractive alternatives…
With their first anniversary approaching, neither wants to be the first to give up, but will they make it?.
A young woman with a mysterious past lands in Southport, North Carolina where her bond with a widower forces her to confront the dark secret that haunts her.
Gemma visits Sarajevo with her son, Pietro. Sixteen years ago they escaped the war-torn city while the boy’s father remained behind and later died. As she tries to repair her relationship with Pietro, a revelation forces Gemma to face loss, the cost of war and the redemptive power of love. Starring Penelope Cruz and Emile Hirsch.