Successful architect Jeremy Angust is approached on his trip to the Tokyo International Airport by a chatty girl called Texel Textor. She is a strange young woman who seems to be looking for captive victims whom she forces to listen to her strange stories. Jeremy loses the flight because of Texel and once they are installed in the lounge area, he will not be able to get rid of the annoying stranger. Although the meeting seems fortuitous, soon there be a turn that will transform the character of that encounter into something much more sinister and criminal.
A ghost story, set in a sleepy community in rural Argentina. A woman named Amanda is dying in a clinic in a town where she's gone on vacation. As she dies, a child named David interrogates her about the events leading up to her sickness. What follows is a haunting, hallucinatory tale of broken souls, toxins, looming environmental and spiritual catastrophes, and the ties that bind a parent to a child.
A story of a group of humanoid rabbits and their depressive, daily life. The plot includes Suzie ironing, Jane sitting on a couch, Jack walking in and out of the apartment, and the occasional solo singing number by Suzie or Jane. At one point the rabbits also make contact with their “leader”.
Initially, "Mulholland Dr." was to mark David Lynch's return to television. It is a retooling of a script originally shot as a 94-minute pilot for a TV series (co-written with TV screenwriter Joyce Eliason) for the channel ABC, which had approved the script, but chose not even to air the pilot once it was done in 1999, despite Lynch's labours to cut the project to their liking. It was left in limbo until 18 month later French company Studio Canal Plus (also producer of 'The Straight Story') agreed to pay ABC $7 million for the pilot, and budget a few million more to turn the pilot into a two-hour, 27-minute movie. The cost of the film doubled to $14 million as sets had to be reconstructed and actors recalled.
After the elevators at a New York City skyscraper begin inexplicably malfunctioning, putting its passengers at risk, mechanic Mark Newman (James Marshall) and reporter Jennifer Evans (Naomi Watts) begin separate investigations. Newman gets resistance from superiors at his company, which manufactured the elevator, while additional elevator incidents cause several gruesome deaths. The police get involved and suspect that terrorists are responsible, but a far stranger explanation looms.
Once a known counterculture figure, June E. Leigh now lives in self-imposed exile in her South Bronx apartment during the incendiary '77 Summer of Sam. When an unseen tormentor begins exploiting June's weaknesses, her insular universe begins to unravel.