The year is 1941. Nazi Germany has declared war on the USSR and begins launching air assaults on Moscow and St. Petersburg. Stalin immediately orders a retaliatory air campaign under the code name “Wings over Berlin.” The closest entry point to Berlin from the USSR border was an airfield on the Estonian island Saaremaa in the Baltic Sea. It would be a 7-hour flight over enemy territory in outdated aircraft leaving no chance of survival for the tail crew members in case of attack. Despite overwhelming odds, the first units completed the mission and made it back to base safely, unlike many others that followed.
The film follows two student cinematographers who, as the war approaches Moscow, refuse to be evacuated and instead volunteer to be front-line cameramen capturing the horrors of war and heroism of the soviet soldiers. At the same time, we witness another storyline taking place in the US. After the premiere screening of the already completed documentary “Moscow Strikes Back”, one of the members of the Academy Awards selection committee is trying to persuade his fellow colleagues to establish a new category of Best Documentary in the upcoming Oscars event.
The history of the confrontation between two worlds: the Grand Duchy of Moscow and the Ural Parma, the ancient Perm lands inhabited by pagans. Here heroes and ghosts, princes and shamans, Voguls and Muscovites will clash. At the center of the conflict of civilizations is the fate of the Russian prince Mikhail, who fell in love with the young Tiche, a witch-lamia capable of taking on the form of a lynx. Passion for the pagan and fidelity to forbidden love, a campaign against the Voguls, bloody battles and a short peace, the battle between Muscovy and Parma, the hero will face trials in which it is not so terrible to part with life as to commit treason.
Five-time Olympic medalist and Native Hawaiian Duke Paoa Kahinu Mokoe Hulikohola Kahanamoku shattered records and brought surfing to the world while overcoming a lifetime of personal challenges. Waterman explores his journey and legacy as a legendary swimmer, trailblazer, and the undisputed father of modern-day surfing, following the sport’s first-time inclusion in this year’s Summer Olympics – a fitting tribute to his work promoting the sport around the globe.
For the first time in company history, the Met presents the original five-act French version of Verdi’s epic opera of doomed love among royalty, set against the backdrop of the Spanish Inquisition. Patrick Furrer leads a world-beating cast of opera’s leading lights in this March 26 performance, including tenor Matthew Polenzani in the title role, soprano Sonya Yoncheva as Élisabeth de Valois, and mezzo-soprano Elīna Garanča as Eboli. Bass Günther Groissböck and bass-baritone John Relyea are Philippe II and the Grand Inquisitor, and baritone Étienne Dupuis rounds out the all-star principal cast as Rodrigue. Verdi’s masterpiece receives a monumental new staging by David McVicar that marks his 11th Met production, placing him among the most prolific and popular directors in recent Met memory. This live cinema transmission is part of the Met’s award-winning Live in HD series, bringing opera to movie theaters across the globe.
In 1961, a 60 year old taxi driver stole Goya’s portrait of the Duke of Wellington from the National Gallery in London. It was the first (and remains the only) theft in the Gallery’s history. What happened next became the stuff of legend.
Valentine Gallardo, a Mexican matador is torn between the love of his life and his love for bullfighting after having a near-death injury in his last fight. Valentin has to come to terms with what is truly important to him, family or fame.
Laleh is a true story of a young woman in post-revolution Iran, struggling against all odds to break through in one of the most male dominated sports worldwide.
Exiled unjustly, convicted without trial, slandered without cause. Man of God depicts the trials and tribulations of Saint Nektarios of Aegina, as he bears the unjust hatred of his enemies while preaching the Word of God.
In an isolated mountain village in 19th century Macedonia, a young feral witch accidentally kills a peasant. She assumes the peasant's shape to see what life is like in her skin, igniting a deep seated curiosity to experience life inside the bodies of others.
Vienna, 1920. The Austro-Hungarian Empire has collapsed. Peter Perg returns home from the Great War, after years of captivity. But the Vienna he comes home to is nothing like the place he once knew. The new Austrian Republic thrives on social and artistic freedom, but anti-democratic movements and unemployment loom overhead. A stranger in his hometown, his life takes a turn for the worse when one of his former comrades is murdered. Suddenly the mysterious killings of veterans are mounting. Personally connected to the victims, Perg decides to bring the killer to justice. He finds an ally in the cool-headed forensic doctor Theresa Körner, with whom he has a deeper, shared history. Their investigation leads them into the darkest corners of the city, as they confront a brutal and systematic killer and intrigues from within the police force. But when the killer’s net closes around Perg himself, he faces the moral dilemma of his life.