Failing to complete an important assignment without casualties, fearless crime fighters from an elite special service agency, masters of disguise and simply fun guys "Velik" and "Koshka" were demoted to serve in a department of a Drug Enforcement Agency...
A story of an actor named Oleg whose wife has been seduced by his neighbor. As he is thoroughly convinced of her infidelity, he would like to poison her. An old man named Prokhorov helps him to get rid of his wife by lecturing about famous deaths caused by poisoning. It is from Prokhorov we learn that many famous and not so famous like Cesare Borgia and Caligula were killed as they were poisoned.
Жулики похищают из музея картину Айвазовского и решают обмыть удачную операцию. Однако, прибыв на место, в дом шефа, компания застает любовницу главаря с одним из сотоварищей. Ночная попойка превращается в кавардак с участием переодетых актеров. В этой кутерьме никто не замечает, как украденная картина исчезает…
The training trip of 4 "special" boys, one narcoleptic, one internet-dependent, one suffering from Tourette's Syndrome and one obsessed with hygiene towards self-affirmation and acceptance of one's differences.
In a world parallel to ours, things and people have supernatural powers. Witches exist, they are beautiful and attractive and try to do their 'work' to the fullest.
The two friends Claude and Serge are fundamentally different in their temperament. Similarities arise only when they try to have a relationship with a woman, because both fail equally. While Claude is simply too shy to even start a relationship, let alone meet a woman, Serge is too jumpy to have a relationship. Together they go in search of the great love in all sorts of curious situations, from the self-help group on speed dating to wedding celebrations of strangers - in the hunt for the right woman, they are no way too far.
Here we find a group of misfits who've given up on humanity and have decided to dwell below the pavement. The group has its own hierarchy, of course, and soon the conditions that drove them underground begin to manifest themselves without the influences of the Outside World.
Eleven comedic vignettes featuring conversations – some important, some less so – held in restaurants over coffee and cigarettes (how quickly time flies – cigarettes are banned in Russia’s restaurants now). The conversations are candid, and even veer into the territory of murder. In the final credits, the director apologizes to Jim Jarmusch, whose work (in the anthology Coffee and Cigarettes, which Jarmusch shot in pieces over many years) Oldenburg-Svintsov is clearly indebted to. Sex, Coffee, Cigarettes’s kinship with Jarmusch’s film extends to the fact that superstars play tiny roles in almost all of the vignettes.