Cancer patient and successful writer Lilith Winterbottom should be dead by now. But the cynical misanthrope seems to scare even death away, in order to finish her last book and find a hero's death worthy of her main character Spider.
How to become a man when your mother and your closed circle have decided otherwise? This is the challenge Guillaume took up. The film recounts Guillaume's tragicomic battle from the young age of eight, as he adopts the role of a girl then of a homosexual... until, aged 30, he meets the woman who, after his mother, will become the other woman in his life. Beyond this story of a heterosexual coming-out, the film tells the tale of an actor who never stopped loving women, maybe even a little too much.
When three teenage boys from Bavaria try to lose their innocence in the neighboring Czech Republic, they get themselves and a young pregnant Ukrainian immigrant into trouble with local pimps.
Georges, a wealthy Parisian, has a mistress who wants to marry him, but he has no intention of divorcing his wife, the source of his money. The mistress, meanwhile, has a jealous boyfriend, so when Georges dumps her, two people are angry with him. Add Georges' wife, who suspects the affair. The mistress calls Georges to say she's coming to tell his wife everything, so Georges asks Maurice, a stranger who's passing by, to pose as his wife and scare off the mistress. In this farce, nothing goes as Georges plans.
“The Antman” is a lovingly-made but sluggish monster-movie parody, done with German-speaking actors on a sparse soundstage standing in for 1950s Mexico. Promising concept is bolstered by colorful performances by Gotz Otto and Lars Rudolph, and the filmmakers have fun with pic’s look, right down to tacky lighting worthy of Roger Corman. But Marc Meyer’s script isn’t fast or funny enough to keep pace with energetic visuals. The first in a projected series of B-movie homages grouped as “Planet B,” the producers might want to call in Joe Dante to supervise the rest, as “Antman” seems unlikely to crawl very far beyond its native borders
Polly’s dreams of making it as an actor are shattered when her identical twin sister Amy lands the lead role in a huge TV show. Mistaken for her famous sister at every turn, Polly decides to use Amy’s celebrity for her own advantage – free clothes, free booze, casual sex… with hilarious and disastrous consequences for them both.
Wayne, an awkward loner, has just started working the graveyard shift as an apprentice mortician. When his merciless supervisor leaves him alone and in charge for the night, Wayne decides to make the most of it. Starring Anton Yelchin, this controversial short film was cut from the theatrical release of Movie 43 for pushing the boundaries too far.