Although it's full of stylistic hallmarks we've come to expect from Gilliam — layered realities, overbearing technology, institutional paranoia and of course, quirky romance – it feels like a personal journey into his beliefs, as it stares into the divide between reason and faith.
Living in an Orwellian corporate world where "mancams" serve as the eyes of a shadowy figure known only as Management, Leth works on a solution to the strange theorem while living as a virtual cloistered monk in his home—the shattered interior of a fire-damaged chapel. His isolation and work are interrupted now and then by surprise visits from Bainsley, a flamboyantly lusty love interest who tempts him with "tantric biotelemetric interfacing" (virtual sex) and Bob. Latter is the rebellious whiz-kid teenage son of Management who, with a combination of insult-comedy and an evolving true friendship, spurs on Qohen’s efforts at solving the theorem. … Bob creates a virtual reality "inner-space" suit that will carry Qohen on an inward voyage, a close encounter with the hidden dimensions and truth of his own soul, wherein lie the answers both he and Management are seeking. The suit and supporting computer technology will perform an inventory of Qohen’s soul, either proving or disproving the Zero Theorem.
Like most life lessons, the answers to Qohen's problems are hidden in plain sight. But the fact that they're there at all marks the difference between a film with a nihilistic attitude about human existence, and one that believes in the idea that there are many reasons to live, both great and small. Like a great professor who makes complicated ideas easy to understand, and more importantly, fun to think about, Gilliam boils down basic questions about human existence to a series of weirdly relatable physical conflicts, which is why "The Zero Theorem" dances on the edge of nothingness, and manages to find something incredibly powerful to say.
Although it opens with the caveat that the story was "inspired by a court case" yet is "entirely fictional" we all know by now that Abel Ferrara is referring to the former head of the International Monetary Fund, Dominique Strauss-Kahn, and his wife at the time, Anne Sinclair, and the scandal and ramifications of an alleged assault on a New York hotel maid.
Mr. Devero is a toxic mix of desire, power and arrogance. High powered person who controls global finances and shapes people's future, is not capable to deal with his own instincts. He is guided by an unrestrained sexual hunger and he is unable to resist. He, who cares to save the world, is unable to save himself...
The film follows a physician who accidentally tells her obnoxious patient that he has a brain aneurysm and has only 90 minutes to live. As the patient races around the city, trying to right his wrongs, the doctor attempts to find him as he tries to find what he must do in the final moments of his life.
With his wife's disappearance having become the focus of an intense media circus, a man sees the spotlight turned on him when it's suspected that he may not be innocent.
Disney's Alexander and the Terrible, Horrible, No Good, Very Bad Dayfollows the exploits of 11-year-old Alexander as he experiences the most terrible horrible day of his young life - a day that begins with gum stuck in his hair, followed by one calamity after another. But when Alexander tells his upbeat family about the misadventures of his disastrous day, he finds little sympathy and begins to wonder if bad things only happen to him. He soon learns that he’ is not alone when his brother, sister, mom, and dad all find themselves living through their own terrible, horrible, no good, very bad days. Anyone who says there is no such thing as a bad day just hasn't had one.
John Form has found the perfect gift for his expectant wife, Mia - a beautiful, rare vintage doll in a pure white wedding dress. But Mia's delight with Annabelle doesn't last long. On one horrific night, their home is invaded by members of a satanic cult, who violently attack the couple. Spilled blood and terror are not all they leave behind. The cultists have conjured an entity so malevolent that nothing they did will compare to the sinister conduit to the damned that is now... Annabelle.
The horror movie stars Annabelle Wallis ("Snow White and the Huntsman", "W.E." and "X-Men: First Class"), Academy award nominee Alfre Woodard ("12 Years a Slave"), Ward Horton ("The Wolf of Wall Street"), Tony Amendola ("The Legend of Zorro" and "Blow") and Brian Howe ("The Pursuit of Happiness", "Gran Torino" and "Deja vu").
"Well, you don’t love life itself. You love places, animals, people, memories, food, literature, music. And sometimes you meet someone...who requires all the love you have to give. And if you lose that someone, you think everything else is going to stop too. But everything else just keeps on going."
Aged American philosophy professor lives a lonely and self-contained life in Paris. Immersed in a deep reverie, he lost that something that he was searching for all his life - the meaning. Surrounded by memories, menacing to turn into hallucinations, he is inevitably moving towards the chasm: struggling against the absurd is even more difficult when you are alone. It seems that everything around is nothing but the decor: that’s how uninteresting the world became to him.
It seems that all that was important stayed in the past. And so it was, until one day he met someone on the bus, and this encounter changed everything.
Magnificent Michal Caine created a little delightful masterpiece on screen that makes you want to watch it again straight after walking out of the theatre.
"Mr. Morgan’s Last Love" - is a certain answer to gloomy "Love" by Michael Haneke.
This touching, heartfelt, beautiful story, filled with light sadness in pale shades, could have been shot only by a woman. The film is not about how one needs to live a life - it’s about the need of living it. And making it bright and saturated, making sure each moment is appreciated.
Fine and elegant reflection on loneliness, forgiveness and love, that give its spectator hope.
The story of a young man disillusioned by love who meets a breathtaking young woman at a charity dinner by pretending to be a philanthropist. Turns out that she's engaged to a guy who doesn't like her going on dates. Challenged by the chase, and egged on by his eclectic friends, he feigns a platonic relationship in order to keep seeing her as he tries to conquer her heart.
Playing it cool is a comedy film directed by Justin Reardon and written by Chris Shafer and Paul Vicknair. The film stars Chris Evans ("Captain America: The Winter Soldier", "The Avengers" and "Snowpiercer") Michelle Monaghan ("Source Code", "Due Date" and "Eagle Eye") and Anthony Mackie ("Captain America: The Winter Soldier", "Runner, Runner" and "Pain & Gain).
Returning to her childhood home in Louisiana to recuperate from a horrific car accident, Jessabelle comes face to face with a long-tormented spirit that has been seeking her return -- and has no intention of letting her escape.
Jessabelle is an American horror thriller film directed by Kevin Greutert ("Saw 3D: The Final Chapter" and "Saw IV") and written by Ben Garant ("Balls of Fury", "Night at the Museum" and "Taxi"). The film stars Sarah Snook ("Sleeping Beauty"), Mark Webber ("Scott Pilgrim vs. the World" and "Broken Flowers"), Joelle Carter ("American Pie 2" and "High Fidelity"), David Andrews ("World War Z", "Terminator 3: Rise of the Machines" and "Fight Club"), Amber Stevens ("22 Jump Street", "The Amazing Spider-Man" and "The Fast and the Furious: Tokyo Drift") and Ana de la Reguera ("Cowboys & Aliens").
Fed up with answering to higher-ups, Nick, Dale and Kurt decide to become their own bosses by launching their own business in "Horrible Bosses 2." But a slick investor soon pulls the rug out from under them. Outplayed and desperate, and with no legal recourse, the three would-be entrepreneurs hatch a misguided plan to kidnap the investor's adult son and ransom him to regain control of their company.
The follow-up to the 2011 hit comedy Horrible Bosses reunites Jason Bateman ("Identity Thief", "Hancock" and "The Change-Up"), Charlie Day ("Pacific Rim") and Jason Sudeikis ("We're the Millers") as everyone's favorite working stiffs: Nick, Dale and Kurt.
Jennifer Aniston ("We're the Millers"), Oscar® winner Kevin Spacey ("The Men who stare at goats", "American Beauty")and Oscar® winner Jamie Foxx ("Ray") also reprise their Horrible Bosses starring roles, while Chris Pine ("Jack Ryan: Shadow Recruit", "Star Trek: Into Darkness" and ""Star Trek") and Oscar® winner Christoph Waltz ("Django Unchained", "Inglourious Basterds") star as new adversaries standing between the guys and their dreams of success.
From the producer of CLASH OF THE TITANS and THE TOWN comes a tale of adrenaline-fueled revenge and redemption. When a retired hit man is forced back into action by a sadistic young thug, he hunts down his adversaries with the skill and ruthlessness that made him an underworld legend.
With our time on Earth coming to an end, a team of explorers undertakes the most important mission in human history: traveling beyond this galaxy to discover whether mankind has a future among the stars.
From acclaimed filmmaker Christopher Nolan ("The Dark Knight" films, "Inception"), "Interstellar" stars Oscar winner Matthew McConaughey ("Dallas Buyers Club"), Oscar winner Anne Hathaway ("Les Miserables"), Oscar nominee Jessica Chastain ("Zero Dark Thirty"), Bill Irwin ("Rachel Getting Married"), Oscar winner Ellen Burstyn ("Alice Doesn’t Live Here Anymore"), and Oscar winner Michael Caine ("The Cider House Rules"). The main cast also includes Wes Bentley, Casey Affleck, David Gyasi, Mackenzie Foy and Topher Grace.