Rocky and Bullwinkle have been living off the finances made from the reruns of their cartoon show. Boris and Natasha somehow manage to crossover into reality and team up with Fearless Leader, an evil criminal turned media mogul with some evil plans up his sleeve. Rocky and Bullwinkle must stop the three of them before they wreak havoc.
The film follows Jay Jay, a former hair dresser who has become a drug addict. He lives his new life by doing deals for Vivian from time to time. One day he meets Parm, a free-spirited girl. The two fall in love. Jay Jay's drug habit grows, and he soon resorts to robbery. On the threat of arrest, he works alongside two dirty policemen by becoming a narc, and reports on his former fellow junkies. Yet, as the movie continues, Jay Jay sinks deeper into turmoil with feelings of self-hatred.
Mary Shelley created a monster in 1818, and writers, actors and filmmakers haven't been able to get enough of it ever since. The history of the creature on and off the screen includes clips from Thomas Edison's 1910 filmization to Kenneth Branagh's 1994 treatment, plus interviews with Robert De Niro, Mel Brooks, Roger Corman and others. Hosted by Roger Moore; narrated by Eli Wallach.
Bouncing between Europe and the United States as often as she would between lovers, Peggy Guggenheim’s life was as swirling as the design of her uncle’s museum, and reads more like fiction than any reality imaginable. Peggy Guggenheim – Art Addict offers a rare look into Guggenheim’s world: blending the abstract, the colorful, the surreal and the salacious, to portray a life that was as complex and unpredictable as the artwork Peggy revered and the artists she pushed forward.
A comedy about a screenwriter (Wuhl) whose old movie script is read by a producer (Landau) and the search for financial backers begins. But it seems that each money source (Aiello, DeNiro, Wallach) has his own mistress that he wants put into the film. Gradually, the screenwriter is forced to make changes to his script to accommodate these backers until he finally sees no semblance of his original ideas in the writing.
Marcus (Michael Brandon), a nice, rich, Jewish boy from New York, meets and falls in love with Jennifer (Tippy Walker), a girl from Oyster Bay, while they are both in Venice. He follows her to her home on Long Island and ultimately to the top of a high-rise on the New Jersey Palisades, where begins a romantic reminiscence in extended flashbacks, that ultimately leads to tragedy. Noel Black ("Pretty Poison") directed the film, and Erich Segal ("Love Story") wrote it. Robert De Niro has a small role as a gypsy cab driver.
The son of a slain NYPD officer joins the force, where he falls in with his father's former partner and a team of rogue cops. His new boss, Sarcone, will see if he has what it takes to be rogue through many trials and tribulations of loyalty, trust and respect. When the truth about his father's death is revealed revenge takes him over and he won't stop until justice has been truly served.
Chronicles the six-decade career of the U.S. film industry's most diverse, dogged and resourceful low-budget producer-director-entrepeneur, painting the soft-spoken Roger Corman as an indie cinema trailbrazer as well as an extraordinary conduit for new talent.
Sexually abused as a young girl, Kate "Ma" Barker grows into a violently powerful woman by the 1930s. She lovingly dominates her grown sons, and grooms them into a pack of tough crooks. The boys include the cruel Herman, who still shares a bed with Ma; Fred, an ex-con who fell in love with a fellow prisoner; and Lloyd, who gets high on whatever's handy. Together they form a deadly, bizarre family of Depression-era bandits.