In the beginning of the Second World War, Germans, Austrians and persons without nationality living in France are sent to the concentration camp of Les Milles by France government. Commander Charles Perrochon is the responsible for this camp and he promises to the leaders of the prisoners to protect them from the Nazis. When France is invaded by the Germans, Commander Perronchon will disobey orders and his superiors trying to save these men. He gets a train, a ship and money from USA to send about eight hundred of these prisoners to the safety of Casablanca, in Marrocos.
When a young woman's murder shows similarities to a decade-old cold case, a new police commander must break the silence permeating an Owl Mountain town.
A Polish woman and a German man fall in love against the odds and decide to set up a cemetery for exiles. But can their daring venture survive the call of the toad? Adapted from Gunter Grass’ novel.
Germany, 1945. Soldier Willi Herold, a deserter of the German army, stumbles into a uniform of Nazi captain abandoned during the last and desperate weeks of the Third Reich. Newly emboldened by the allure of a suit that he has stolen only to stay warm, Willi discovers that many Germans will follow the leader, whoever he is.
Julie's son is dying of cancer and her marriage falling apart. She goes to Poland in search of a man who can heal using his hands. Julie finds not only a magical cure for her son, but also comes across a love so pure it begins to heal the aching in her heart.
A mysterious loner (Karel Roden) rides into a small town carrying the body of a sought-after outlaw (Val Kilmer is the corpse). But after he gambles his bounty away in a card game with the sheriff (Boguslaw Linda), he must devise a scheme to reclaim the dead man. Katarzyna Figura co-stars as a tough barmaid in Polish writer-director Piotr Uklanski's inventive and bloody Western, which both spoofs and pays tribute to the spaghetti Western genre.
Created under a “manifesto” whose directives would make Lars von Trier shudder, this three-part film might look on paper like an exercise in forced hipness. Fortunately, its directors – Harmony Korine (USA), Alexsei Fedorchenko (Russia) and Jan Kwiecinski (Poland) – prove innovative and just insane enough to make The Fourth Dimension an exhilarating experiment.
A Polish detective becomes suspicious of a controversial author when the incidents described in his unpublished novel resemble the inner workings of an unsolved murder.