Based on a true story. 16-year old Steffi just graduated from high school and is very much looking forward to her class trip to Paris where she has promised her boyfriend Fabian the romantic night that she has kept him waiting for since they started dating. Her lifelong plan to join the police forces is already set up which means her adult life is right around the corner. At a routine health check-up, just before the trip to Paris, Steffi and her parents are faced with a shattering diagnosis: Incurable cancer with a life expectancy of less than a year. While her mother Eva immediately tries to helplessly protect Steffi from everything, let alone a school trip to Paris and her father Frank, a protestant priest, questions everything he ever believed in, but Steffi is determined to shake off her doomed destiny.
In "Hot oder Schrott - Die Allestester" Detlef Steves ("Off to the bed!") and his wife Nicole receive new products from all over the world, which they should put to the acid test. In order to make the tests more objective, in addition to the steves, four other families of different composition are involved in each episode, which are supplied with the sometimes useful, sometimes bizarre products from bicycles without pedals to inflatable whirlpools and window cleaning robots.
A three-generation family from Berlin, a gay couple from Hammelburg, an elderly opera singer couple from Krefeld and a four-member student flat from Cologne are among the "all-stars" who have to come to a conclusion about the sense and nonsense as well as the price-performance ratio of sauna belts and other inventions.
Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.
In contrast with other television crime series, in which killings are practically the primary focus, while Tatort handled homicide cases, the cases handled in the GDR TV's Polizeiruf were more often the more frequent, and less serious, crimes such as domestic violence, extortion, fraud, theft and juvenile delinquency, as well as alcoholism, child abuse and rape. Contrary to Tatort, which concentrated on the primary characters and their private lives, police procedure was the center of attention of Polizeiruf, especially in the earlier episodes. The scriptwriters attached particular importance to representation of the criminal and his state of mind, as well as the context of the crime. Many episodes aimed to teach and enlighten the audience about what does and what doesn't constitute appropriate behaviour and appropriate thought, rather than just to entertain. Polizeiruf was one of the few broadcasts by GDR media in which the real problems and difficulties of the supposedly more advanced socialist society could be displayed and discussed to some extent, albeit in a fictionalized and pedagogicalized environment.
A medic lives with his small and strange family between the mountains and every episode he comes across a situation with not only his patients but also his family and friends.
Berlin, 1888. After penniless Ida’s life is saved at the Charité Hospital she must work off the treatment costs. While she becomes acquainted with the most brilliant physicians of this era at the world-famous hospital, the self-determined young woman discovers her passion for medicine.
Luna Kunath (Caroline Erikson) and Tamara Meurer (Anjua Pahl) work together in the Potsdam murder commission. Luna is single, strong, assertive, funny, empathic, sporty and fast in the head. It is an excellent policewoman whose carefree always accompanies with a little naivety and brings you again and again in brenzy situations. Tamara, however, has more mature, adult.
The two of the boss Bernhard Henschel (Michael Lott) and the colleagues David Grünbaum (Omar El-Saeidi), Christoph Westermann (Hendrik von Bültzingslöwen), lail-sure Thomas Brandner (Yung No) and legal physician Werner Vense (Bernd Stegemann). Potsdam, Berlin's pretty little sister, confronts the commissars again and again with a wide variety of life effects. However, the team not only determines in Potsdam, but must always be out of the surrounding area. Because the crime does not stop at the city limit.