Nigel has fallen in love. But when you live in orbit, aboard a ramshackle space hovel with the most risk-averse family imaginable, it isn't easy to follow your heart - especially when the girl of your dreams is spinning around earth the wrong way!
Three girlhood friends now at college share first loves, first kisses and first betrayals. At the center of it all is the best-looking boy on campus. Can a self-conscious dreamer hook the biggest fish in the pond?
We Ourselves is an unconventional drama about isolation and belonging, about being alone with one’s own thoughts while being part of a shared experience, culture and nation. It takes us into the minds and hearts of a group of idealists and careerists as they take their separate paths in life. These people will tell you that they are the best of friends. They believe they are from the same country, yet in the privacy of a room, they are apart, alone and in a state of exile.
After discovering his wife's infidelities, Gerry leaves London to look after his deceased brother's business and family in Singapore. Discovering a foreign world of opportunity that had not existed before gives Gerry a chance at starting over by slipping into his brother's life - both emotionally and physically. However, leaving his wife and child behind in the UK is not so easy as Gerry must choose between becoming his brother's alter ego 'Mister John' or returning to London to face his failing relationship.
A sexy romantic drama in which, at the outset, the characters are leading their own lives in very different worlds, though each is beset by niggling discontentment. Michelle (Renée Weldon - IFTA Best Actress) is a fast-rising young Dublin lawyer with a smart apartment overlooking the Liffey, but dissatisfied in her relationship with a doctor (Declan Conlon). Conor (Aidan Gillen) is lonely and unattached, dutifully running the traditional Dublin pub owned by his hard drinking father (Eamon Morrissey). Late one night, Michelle bursts into the bar and orders a triple vodka. The consequences are explored and developed with an honesty and credibility as these disparate characters tentatively draw closer to each other. They become lovers. There is a strong sexual attraction. But there are complications along the way and the path to love can be rocky. Something's got to give. And what's the trouble with sex? You'll see...
After twenty years of no contact with his son, Larry McCarthy pretends to be on his death bed to get Jack to return to his native Ireland from America. Upon arrival Jack is furious to find his father alive and well and even more so when he then discovers he can't leave . Soon, Father and son are forced into dealing with a painful history . At the core of their conflict is Larry's denial about the death of his wife, Jacks mother. The story explores the difficult and painful, but often very hilarious ways they try to communicate. Forging a begrudging peace, the reality of life sets them when Larry discloses to Jack another truth that leads to a final reconciliation.
Kline, a former Los Angeles police officer turned private detective, is hired by a powerful pharmaceutical conglomerate boss to investigate in Asia the disappearance of his only son, Shitao, whom he has not seen in person since the boy was ten. Now in his 30s, Shitao has gone missing in the Philippines where he had been helping in an orphanage.