Having already had his work adapted for the big screen in Jan Kounen’s 99 Francs, the best-selling novelist Frédéric Beigbeder is making his directorial feature debut with an adaptation of another of his books: Love Lasts Three Years. The film chronicles the disappointments of Marc Marronnier, who is disillusioned by everything and everyone, and can’t bear the idea of divorcing a women he no longer really loves. This classic storyline is spiced up by Beigbeder’s characteristically caustic style typified by a phrase from the novel: "The first year, you buy furniture. The second year, you move the furniture. The third year, you divide up the furniture".
Cast: Gaspard Proust, Louise Bourgoin, Joey Starr, Jonathan Lambert, Frederique Bel u.c.
Directed by: Frédéric Beigbeder
From "Artist" and "Monster in Paris" movies' creators.
A veteran chef faces off against his restaurant group's new CEO, who wants to the establishment to lose a star from its rating in order to bring in a younger chef who specializes in molecular gastronomy.
Writer/director Julie Delpy follows-up her 2007 comedy 2 Days in Paris with this tale of a happy couple who finds their comfortable relationship put to the test during an tumultuous family visit. Marion (Delpy) and Mingus (Chris Rock) both come from failed relationships. But by bringing their children together, they've managed to form a small yet happy family. Tensions in their household soon begin to spike, however, when Marion's jovial father (Albert Delpy - the director's real-life father}) show up on their doorstep with his randy daughter and her peculiar boyfriend in tow. Later, as the motor-mouthed houseguests shatter every taboo imaginable, the happy couple begins to question their commitment?
The film opened the 62nd Berlin International Film Festival in February 2012.
1789, at the eve of the Revolution: Versailles occupants still live happily, unconcerned by the increasing turmoil in Paris. When news about the storming of the Bastille reaches the Court, aristocrats and servants desert the Palace, leaving the Royal Family alone. But Sidonie Laborde, a young Queen's reader, refuses to flee. She feels secure as she is under protection of the Queen of France. She does not yet know these are the last three days she would spend by her side.
After a paragliding accident, Philippe, a rich aristocrat, commit as home helper Driss, a young man from suburb, hardly brought out of prison… In brief, the person the least adapted for the job.
Together, they are going to make Vivaldi live and after Earth Wind and Fire, the verb and the gate, the costumes and the tracksuits.
Two universes are going to cross themselves, become accustomed, to give birth to a friendship as crazy, funny and strong as unexpected, a unique relation which will make sparks and make them untouchable.
A man wrongly convicted of conspiracy to commit espionage against the U.S. is offered his freedom if he can rescue the president's daughter from an outer space prison taken over by violent inmates. French science fiction action film directed by James Mather and Stephen St. Leger, and written by Mather, Leger, and Luc Besson. The film stars Guy Pearce, Maggie Grace, Vincent Regan, Joseph Gilgun, Lennie James, and Peter Stormare.
Cast: Guy Pearce, Maggie Grace, Vincent Regan.
Directed by: James Mather, Stephen St. Leger
Beth Raymer is a girl with a big heart who leaves her dancing job at a Florida strip club to become a Las Vegas cocktail waitress. Not exactly an ideal career choice, but her borderline-ditzy personality doesn’t give her many options. In walks Dink, a professional sports bettor who sees through her bubbly exterior and offers her a job placing wagers all over town to gain an advantage over the casinos. Her surprisingly impeccable mind for numbers soon cements her status as Dink’s good-luck charm, until his gorgeous-but-frigid wife, Tulip, starts to get jealous. Faced with no other choice but to fire Beth, Dink’s luck runs out when she heads to New York to work for a smarmy bookie, a turn of events that lands her squarely on the wrong side of the law.
With LAY THE FAVORITE, an acclaimed director Stephen Frears nimbly displays his penchant for interweaving comedy and drama to create a thoroughly satisfying tale of improbable friendship found in the unlikeliest of places.
“On the Road” is the book by Jack Kerouac brought to cinemas.
Dean Moriarty (Garrett Hedlund) and Sal Paradise (Sam Riley), main Kerouac’s characters, are the typical representatives of the Beat Generation. After the death of his father, Sal Paradise falls into the search of the answers to the question “How to live?”. One of the answers he finds is to write. But while the muse is somewhere over the corner, he spends his time hanging out with his friends in jazz bars. Soon he meets Garrett Hedlund’s (“Tron: Legacy”, “Troy”) character Dean, a real child of bohemia. Together they aim for everything and take every chance they get. Soon after they find themselves on the road – an endless party filled with alcohol, drugs and conflict within meaning and meaningless. Bohemian journey is supplemented by female touch - Kristen Stewart („Twillight“, Snowhite and Huntsman“), Kirsten Dunst („Melancholia“, „SpiderMan“), Amy Adams („Enchanted“, „Catch me if you can“), Elisabeth Moss („Mad Men“) ir Alice Brag („I am Legend“, „City of Gods“).
The Umbrella Corporation’s deadly T-virus continues to ravage the Earth, transforming the global population into legions of the flesh eating Undead. The human race’s last and only hope, ALICE (Milla Jovovich), awakens in the heart of Umbrella's most clandestine operations facility and unveils more of her mysterious past as she delves further into the complex. Without a safe haven, Alice continues to hunt those responsible for the outbreak; a chase that takes her from Tokyo to New York, Washington, D.C. and Moscow, culminating in a mind-blowing revelation that will force her to rethink everything that she once thought to be true. Aided by newfound allies and familiar friends, Alice must fight to survive long enough to escape a hostile world on the brink of oblivion. The countdown has begun.
Inspired by Arthur Schnitzler's classic La Ronde, screenwriter Peter Morgan and director Fernando Meirelles' 360 combines a modern and dynamic roundelay of stories into one, linking characters from different cities and countries in a vivid, suspenseful and deeply moving tale of love in the 21st century. Starting in Vienna, the film beautifully weaves through Paris, London, Bratislava, Rio, Denver and Phoenix into a single, mesmerizing narrative.
A series of short films set around the theme of infidelity. How long would best friends Greg and Harry cover up each other before their wives after yet another night of debauchery? Why Laurant, a faithful family man, needs to find a one night stand, while being out of town? What makes an old dentist Eric flirt with an 19-year old student? This film will try to find the answers to all these questions.
Cast: Jean Dujardin, Gilles Lellouche, Lionel Abelanski, Guillaume Canet, Aina Clotet.
Directed by: Emmanuelle Bercot, Fred Cavayé, Alexandre Courtès, Jean Dujardin, Michel Hazanavicius, Jan Kounen, Eric Lartigau, Gilles Lellouche.
Ali finds himself with a five-year-old child on his hands. Sam is his son, but he hardly knows him. Homeless, penniless and friendless, Ali takes refuge with his sister Anna in Antibes, in the south of France. There things improve immediately. She puts them up in her garage, she takes the child under her wing and the weather is glorious. Ali, a man of formidable size and strength, gets a job as a bouncer in a nightclub. He comes to the aid of Stephanie during a nightclub brawl. Aloof and beautiful, Stéphanie seems unattainable, but in his frank manner Ali leaves her his phone number anyway. Stephanie trains orca whales at Marineland. When a performance ends in tragedy, a call in the night again brings them togtether.
When Ali sees her next, Stephanie is confined to a wheel chair: she has lost her legs and quite a few illusions.
Ali’s direct, unpitying physicality becomes Stéphanie’s lifeline, but Ali too is transformed by Stéphanie’s tough resilience. And Stephanie comes alive again. As their stories intersect and diverge, they navigate a world where strength, beauty, youth and blood are commodities—but where trust, truth, loyalty and love cannot be bought and sold, and courage comes in many forms.