Based on Boris Akunin's novel 'Azazel' (English title 'The Winter Queen') set in Moscow in 1876. The novel started a long series quite popular in Russia. In 'Azazel' a young police officer - Erast Fandorin - investigates an odd suicide of some rich young man and finds a complex conspiracy, trying to take over most European countries - from Britain to Ottoman Empire - with the best intentions, of course.
To earn money for married life, a young engaged man takes a job as an engineer on a privately operated oil drilling rig in the far North of Russia. A friend's letter brings the sad news that his fiancée has already married someone else and in desperation he quits his job and flies back to Moscow. There all his vast efforts to win her back seem in vain...
A young businessman believes that money and fortune are the most important things in the world. One day he loses all his money and faces the necessity to reconsider and change his life.
Anatoli Yefremovich Novoseltsev works in a statistics institution, whose director is an unattractive and bossy woman. An old friend of his, Yuri Grigorievich Samokhvalov, who gets appointed assistant director of the institution, wants to make Novoseltsev the head of the department but encounters objections from Ludmila Prokopievna Kalugina, the director. Samokhvalov then advises Novoseltsev to lightly hit on the boss. Ironically, Novoseltsev and Kalugina fall in love with each other...
Olga Voznesenskaya is a silent screen star whose pictures are so popular that underground revolutionaries risk capture to see them. She's in southern Russia filming a tear-jerker as the Bolsheviks get closer to Moscow. Although married, she spends time every day with Victor Pototsky, the film's cameraman. Gradually, it comes to light that Victor uses his job as a cover for filming White atrocities and Red heroism: he's a Bolshevik. He asks her for help, and she discovers meaning in her otherwise flighty and self-centred life. Love blooms. Will the Red forces arrive in time to save them from a suspicious White military leader? Will she find courage?
The central character of the play, Fedor Protasov, is tormented by the belief that his wife Liza has never really chosen between him and the more conventional Victor Karenin, a rival for her hand. He wants to kill himself, but doesn't have the nerve. Running away from his life, he first falls in with Gypsies, and into a sexual relationship with a Gypsy singer, Masha. Meanwhile, his wife, presuming him dead, has married the other man.