Vasiliy Kirsanov is a former bank clerk, and now a failed illusionist. In order to make a show "almost like Copperfield," he persuades his wife Svetlana to sell their comfortable apartment and buy a small one-room apartment. But the show failed, and Svetlana and two children are extremely cramped in the one-room apartment, and the wife demands an urgent solution to the housing problem. While looking for an apartment, Kirsanov accidentally stumbles upon an extremely profitable advertisement and, with the money from the sale of his apartment, buys an excellent three-room apartment, but... the apartment turns out to be a surprise - a real ghost lives in the apartment.
Our days. Seventeen-year-old schoolgirl Zhenya comes from the "northern capital" to a border village in the Belgorod region to see her brother, a volunteer, before he leaves for the invasion of Ukraine. There she meets a local informal leader, call sign "Timur", and his team, also teenage “volunteers“, who not only help Zhenya see her brother, a tanker, while helping the Russian "security forces" eliminate Ukrainian civilians, but also completely change her outlook on life. And as it happens, the personal relationship between Zhenya and "Timur" goes beyond "just friendship".
Varya lost her hearing several years ago due to an accident. But, despite the tragedy, she continues to pursue her favorite hobby - dancing. Now her dream is to get to the most important dance competition in the country and, of course, win. Varya meets Nik, a famous dancer and blogger. A friendship develops between the guys, and they decide to compete at the competition together. But Nik's wealthy and influential mother does not accept her son's choice, which deprives the boys of important financial support. Varya and Nik will have to find adult solutions on their own to follow their dreams. Their "team" on this journey will be Varya's dad, Toshka, the girl's smart friend, and Pegasus, a charismatic street dancer. They are all united by faith in victory, hope that the impossible is possible and, of course, a love of dancing. It is she who pushes young dancers to answer the main question for them: "Can I dance better than myself?"
Sanya is a trucker who combines his main job with stealing cars. He and his wife Anya are expecting the birth of a child any day now. Suddenly, Sanya receives an urgent order: the hijacking of a "Gelendwagen" (or simply "Gelya"). And for the sake of a comfortable future for his family, he agrees, promising his wife to be in time for childbirth. But everything is not going according to plan, and the case turns into a conflict with a criminal gang of premium car thieves. Now Sanya faces a task of increased complexity: not only to deal with criminals, but also not to be late to the hospital.
A Russian film crew is coming to Varanasi to shoot an arthouse film. The whole atmosphere of the ancient city encourages us to think about the meaning of what is happening, about the essence of cinema, about values that are usually considered obvious and not discussed. Soon, the filming process begins to collapse, and the film begins to shoot itself. This movie is a parable about the crumbling of the world and correction, about love as the only force capable of healing the world.
By knowing oneself, a person knows the whole world. Refusal of self-knowledge distances a person from God. What does a woman seek in a man's world? What passionate and vague dreams control her? The painful search for the Ideal in an imperfect world is realized by a love triangle. While men measure their strength in the fight for a woman, her subconscious has already equalized them in weakness, because next to her Ideal, they are both just insignificant shadows. Perhaps the reason for the collapse is the very existence of an abstract Ideal, which inevitably gives rise to a comparative analysis of the surrounding men, and, as a result, the impossibility of choice. The happiness of motherhood for this woman lies in the absence of a reason for comparison, because the child is certainly pure and beautiful.
The custom of making motanka dolls is ancient, rich in myths and legends. There is a belief that they help their owner. The main character of the film is a 12-year-old teenage girl, she studies at an art school, but does not believe in her abilities and goes through a coming-of-age crisis with the help of a Slavic doll. By wrapping a doll, its owner goes through a certain stage of growing up and forms her inner world. The doll sometimes helps her cope with difficult situations, and sometimes it does the opposite.
When spirited troublemaker Maria pushes her overwhelmed father too far, he takes her to their remote family cabin, hoping a dose of wilderness will teach her discipline. But after a mysterious forest encounter turns him into a bear, Mila must protect her Papa Bear from a local hunter. As the two navigate hilarious mishaps and unexpected bonding, they discover that the wild has a way of bringing families closer—one bear hug at a time.
The story of the heroism and tragic death of a young monk from the Trinity Lavra of St. Sergius, who dedicated his life to burying lonely homeless people - those who are called "strange" in the Church.
What happens if Vasily Ivanovich, Teshcha, Chukcha and Novyi Russkiy end up in modern Moscow? The naive provincial Petya learned the answer to this question by accidentally reviving the characters from his favorite collection of jokes. Now he will have to figure out how to bring them back to their world. After all, if Petya doesn’t make it in time, the jokes will disappear from people’s memories forever…
Neurotic IT specialist Grisha creates a unique neural network capable of transferring human consciousness into "smart" devices. But he has to test his unique invention on his own father. Bes, the leader of a criminal organized crime group, ends up literally in his son's hands, moving from gadget to gadget. They embark on a crazy adventure that will help them rethink their attitudes towards each other.