In the center of the plot is a senior investigator named Masha Shvetsova and her male colleagues. The plot is the most vital, but, like in “Streets of Broken Lanterns,” it is seasoned with a fair amount of humor - otherwise, how can the audience (and the heroes) endure countless morgues, identifications and other “cute” charms of the investigative routine?
Harry Palmer heads a private investigation business based in Moscow. His associates are Nikolai "Nick" Petrov (Jason Connery), ex-CIA agent Craig (Michael Sarrazin), and ex-KGB Colonel Gradsky (Lev Prygunov). They take on the job of finding 1000 grams of weapons-grade plutonium stolen from the Russian government, though they do not know the identity of their client.
The journalist becomes a victim of rape. To take revenge on the rapists, she makes a deal with the criminals. But things are beginning to unfold unpredictably...
A talented girl from the provincial Russian town Pasha Stroganova dreams of becoming an actress. She plays the role of baba Yaga in the amateur theatre - and does it so organically that the visiting filmmaker offers her the most difficult role in the historical drama about Joan of Arc. She was given not only great acting talent, but the talent of deep, selfless love. A dream comes true: she is invited to the main role, and she begins a completely different life, full of real creative torment, insights and true happiness.
In December 1825, distinguished members of the Russian military, most of whom were quite affluent and of noble lineage, took it upon themselves to stir revolution against the autocratic and tyrannical Czar Nikolai I in the wake of his not honoring the drafting of a constitution for the Russian people. The revolution failed miserably and the conspirators (known as the Decembrists) were weeded out by the czar himself. One by one, each of the conspirators confess and are systematically exiled to the harsh winters of Siberia, slated to work and wither in a prison/mine. The wives of the conspirators are faced with the prospect of leaving the bosom of wealth and family (including their own children) to be with their husbands in the brutal Siberian locale. If they agree to this, they face having their illustrious social stations stripped away and certain disdain from everyone around them...
A zealous young journalist in the 1920s believes only in the Party and thinks love is bourgeois sentimentality - then he meets a pair of pretty girls who want to change his mind.
Two students are late for the last commuter train and have to spend a night in a strange town. They rack their brains about where to find shelter and quite by chance they overhear a talk between father and son. The son is an adolescent who is head over heels in love with a girl several years his senior. He is living through the first drama of his life though his love is just puppy love. Then, being resourceful fellows, they think of a plan to pass one of them for the elder son of this family. The reason they give for his unexpected arrival is that he is a child of the father's long-forsaken love. They presume this cock-and-bull story will come off, and right they are!
Screen adaptation of the play by Maxim Gorky "Vassa Zheleznova".
Saga of the death of a merchant family. For many years, Vassa Zheleznova has been leading the family business and, despite the inconspicuous children, her dissolute husband, alcoholic brother, and revolutionary daughter-in-law, is trying to maintain at least the appearance of a normal family... 1913 is coming, and everything that was dedicated to her life is wrecked.