It is a film about pigs, cows and chicken. Black and white. Without words. Without music. Victor Kossakovsky is offering not just a mesmerizing poetic work of art but also a wonderful life experience. We get to know Gunda the sow, her family and neighbors, and it gives us the reason to think about the secret of consciousness and the value of life of those with whom we share this planet.
A mid-level manager who develops an aversion to being "good" finds himself confronting the mysteries of middle-age and morality as he loses grasp of what was once his quiet life.
In the summer, 27 year-old Sam drives towards the south of France in his Ford. He meets Matthieu and his sister Léa and takes them along in his apparently aimless journey. Matthieu has a crush on Sam and tries to seduce him. Léa is a beautiful, young, provocative girl who likes men so much that she got pregnant. She soon brings along Jérémie with them. Throughout the trip, they learn to know, fight and love each other. In spite of a blooming relationship with Matthieu, Sam isolates himself because of his secret: he is headed for Spain to find his long-lost mother.
USA in the 1970s. We follow the highly intelligent Jack through 5 incidents and are introduced to the murders that define Jack's development as a serial killer.
We experience the story from Jack's point of view. He views each murder as an artwork in itself, even though his dysfunction gives him problems in the outside world. Despite the fact that the final and inevitable police intervention is drawing ever near (which both provokes and puts pressure on Jack) he is – contrary to all logic – set on taking greater and greater chances. The goal is the ultimate artwork: A collection of all his killings manifested in a House that he builds.