Yann Madec, long-time best mate of Frank Drevil, the star skipper of Global System Insurance, sees his dream come true when he replaces the injured Frank at the last minute for the start of the Vendée Globe. Nine days into the race and leading, Yann is forced to stop in Cape Verde to repair his broken center-board. Back in the race, Yann discovers a stowaway on board, a Senegalese teenager named Moussa. Faced with the risk of disqualification because of Moussa’s presence, Yann hesitates… Their encounter leads to the most unforgettable round-the-world race ever.
Yann, a cook, and Nadia, a waitress and mother of 9-year-old child, decide to risk everything on the purchase of a restaurant. With plenty of talent, energy, love and dreams, but no finance of their own, they find themselves forced into a jungle of financing and bank loans that quickly overwhelms them. To bail them out, Nadia has to take a job in Canada, while Yann is forced to stay behind to save the restaurant. Together, he and the child confront a relentless avalanche of creditors, an uncaring system and the daily grind from which there is no respite… Yann finally understands that his only chance of salvation lies in joining his lover – as well as reuniting mother and child – by following Nadia to Canada and a better life.
Daniel Moulin goes to New York on a business trip and decides to take advantage of his time in the Big Apple to try and locate the father he never knew. The only thing he has to go on however is an address in the Bronx that is 25 years old.
Engaging, emotional and riveting, FAREWELL is an intricate and highly intelligent thriller pulled from the pages of history— about an ordinary man thrust into the biggest theft of Soviet information of the Cold War. Ronald Reagan called this piece of history - largely unknown until now - “one of the most important espionage cases of the 20th century.” FAREWELL begins in 1981, after the Soviet invasion of Afghanistan. A French businessman based in Moscow, Pierre Froment, (Guillaume Canet) makes an unlikely connection with Grigoriev (Emir Kusturica), a senior KGB officer disenchanted with what the Communist ideal has become under Brezhnev. Grigoriev begins passing Froment highly sensitive information about the Soviet spy network in the US.
Bastien, an ambitious young production assistant, catches the attention of Jean-Louis, a producer of high regard, and is granted a shot at his own television show.
Italy, early nineties. Calm, clever and inscrutable, politician Giulio Andreotti has been synonymous with power for decades. He has survived to everything: electoral battles, terrorist massacres, loss of friends, slanderous accusations; but now certain repentant mobsters implicate him in the crimes of Cosa Nostra.
When police is about to apprehend a famous gang of bank robbers, an elite sniper opens fire from a roof, thus facilitating the flee of his accomplices. However, one of them is seriously injured, which compromises the plans of the thieves.
On April 13, 2011, Les Films 13 production company turned 50. How can one celebrate an anniversary of this sort ? By simply making "another" film that would sum up all the earlier ones. D'un film à l'autre is hence a kind of anthology of the films produced Les Films 13 since the 1960s (short and feature films written and directed for the main part by Claude Lelouch), a best-of of half a century of cinema, going from Le Propre de l'homme to What Love May Bring. A biography in images of a filmmaker as admired as he is criticized. In reality, D'un film à l'autre is more than a series of film excerpts, interviews, and making-of documents (some of which possess an undeniable historical value, like that from A Man and A Woman, or the final performances of Patrick Dewaere).
Swann (Jeremy Irons), an eligible bachelor in the best circles of fin-de-siècle Paris, has also some more vulgar but rich friends, the Verdurins. Through them he meets Odette (Ornella Muti), a courtesan, with whom he falls hopelessly in love. She seems to enjoy his company, for which he pays, but considers herself free to socialise and sleep where she pleases, particularly with a rival called de Forcheville. Swann’s passion turns to consuming jealousy, which leads him eventually to accept the social stigma of marrying her. One old friend, the overtly gay Charlus (Alain Delon), stays sympathetic.
Eight women gather to celebrate Christmas in a snowbound cottage, only to find the family patriarch dead with a knife in his back. Trapped in the house, every woman becomes a suspect, each having her own motive and secret.
DNA revolves around a woman with close ties to a beloved Algerian grandfather who protected her from a toxic home life as a child. When he dies, it triggers a deep identity crisis as tensions between her extended family members escalate revealing new depths of resentment and bitterness.