Camille, a naive schoolgirl meets an intriguing influence in Joelle, a slightly older and much more experienced spirit. Camille follows her new friend through the discovery of sex and the darker side of life. As the film progresses, Camille discovers AIDS and the fear that she may have picked up the disease in her early encounters.
Christmas Eve in Paris. Leo Zimmerman is a businessman who lives for his beloved little daughter’s smile. Outwardly, his life is exemplary. However, when Dimitri Kopas walks into his office, pretending to be a normal client, Leo understands that a contract is out on his head and that the young man has come to town to kill him. Overcome with anxiety and paranoia, no longer able to sleep, Leo decides to meet the killer face to face and to broker a strange deal.
Here we find a group of misfits who've given up on humanity and have decided to dwell below the pavement. The group has its own hierarchy, of course, and soon the conditions that drove them underground begin to manifest themselves without the influences of the Outside World.
Eleven comedic vignettes featuring conversations – some important, some less so – held in restaurants over coffee and cigarettes (how quickly time flies – cigarettes are banned in Russia’s restaurants now). The conversations are candid, and even veer into the territory of murder. In the final credits, the director apologizes to Jim Jarmusch, whose work (in the anthology Coffee and Cigarettes, which Jarmusch shot in pieces over many years) Oldenburg-Svintsov is clearly indebted to. Sex, Coffee, Cigarettes’s kinship with Jarmusch’s film extends to the fact that superstars play tiny roles in almost all of the vignettes.
On the night of New Year's Eve, a small group penetrates into the room of an old hotel in ruins. Carmine, the oldest of the group, poses a challenge to one of the men, Furio: he has 4 months to restore the hotel and inaugurate it with great pomp. Aware of the difficulties but anxious to prove the point, Furio accepts encouraged by his wife Margo who believes that this assignment will allow the couple to rediscover the lost momentum.
A large international cast takes part in this comedy in which the stories of numerous individuals whose cars are stalled in a massive Roman traffic jam are told.
Gilles Lantier, a young reporter on the AFP newspaper, is suffering from a nervous breakdown. Realising that neither his friend Jean nor his girlfriend Eloïse can help him, he decides to stay with his sister Odile, who lives near Limoges. At a party one evening he meets a wealthy bourgeois woman named Nathalie Sylvener. It is love at first sight, and on his return to Paris, Gilles tells Eloïse that he is now devotedly attached to another woman. Although Nathalie agrees to live with him in Paris, she rejects Gilles' offer of marriage. It is not long before the couple have settled into a routine and their passion begins to cool. Then Nathalie suddenly disappears from Gilles' life...
A girl, whose father is from Greece, studies ancient art in France. The film was made for television but never broadcast for political reasons related to its portrayal of Greeks. A work print was screened in Belgium in 1971, and the film is now available in reconstructed form.
The premise deals with a family living in a country-house which turns out to be 'alive' – to the point where a TV crew is brought in to 'capture' the paranormal phenomena
In 17th century France, cardinal Mazarin's death squad kills young Blanche's parents. She grows up to become a thief and steels a substance called Powder of the Devil and a coded letter that were sent to cardinal Mazarin. He is furious.