Marcin Masecki (born 1982 in Warsaw) is a Polish avant garde pianist, composer and conductor. He is a graduate of Berklee College of Music. In 2005 he won the main prize at the International Jazz Piano Competition in Moscow.[1] Masecki started taking music lessons from his father at age three. He took up piano at seven and quickly began showing talent for improvising as well as interpreting classical music. These have proven to be the two main pillars of his activity. He studied classical piano in the Chopin Secondary School in Warsaw under prof. Małgorzata Rawska and jazz piano under Andrzej Jakodziński, graduating in 1998. During his school years he frequented the legendary Wednesday jam sessions at Akwarium Jazz Club. At this time he formed his first jazz trio with Wojciech Pulcyn on bass and Grzegorz Grzyb on drums and joined the band Alchemik. Together they won the Grand Prix at the Europ Jazz Contest Hoeilaart and Masecki won the "Best Soloist" prize. In 2002 he graduated from Berklee College of Music. Together with Ziv Ravitz and Garth Stevenson he formed the trio TAQ. He also met singer, composer Candelaria Saenz Valiente, his future wife. Upon returning to Poland he joined the Zbigniew Wegehaupt Quartet, recording two albums "Wege" (2005) and "Tota" (2008). He continued performing with Alchemik, and electric quintet Oxen, as well as occasionally performing with pop-star Edyta Górniak. For the majority of 2008 he was member of the band Pink Freud, culminating in the release of a concert album “Alchemia”. Also in 2008 he started spending time the legendary cafe and artistic meeting hub Chłodna 25. There he met future collaborator Grzegorz Lewandowski and various musicians from the independent label Lado ABC. This marked an explosion of projects and collaborations. Together with his wife and Macio Moretti he formed the avant-pop band Paristetris. They recorded two albums ("Paristetris" 2008 and "Honeydarlin" 2010) and performed extensively. In 2008 he released an improvised concert album from Chłodna 25 with Moretti and Raphael Rogiński called “2525252525”. 2009 saw the release of his first solo album “Bob”, recorded in his kitchen in Buenos Aires. In 2011 he formed the jazz sextet Profesjonalizm, recording a critically acclaimed album “Chopin Chopin Chopin”. In 2014 he wrote and recorded a set of polonaises for his new nonet “Polonezy”. This album won him one of the most prestigious artistic awards in Poland - Polityka's Passport Award for Contemporary Music. Parallel to these he pursued traditional classical projects, often introducing non-classical elements. In 2013 he released Bach’s “Art of the Fugue” recorded on an old tape dictaphone. In 2015 he released “Beethoven: The Last Sonatas” performed with ear stoppers and noise-blocking headphones, in order to experience the perspective of the deaf composer. 2017 saw the release of “Chopin: Nocturnes” played on his faithfull companion - a small 6-octave upright piano which he rarely tunes. Masecki is also an active composer. In 2015 he was commissioned to write a large piece for the Voluntary Firebrigade Brass Orchestra from Słupca which became his “Symphony nr 1” and was released on CD. He also composed “Wolność” for the cello ensemble Cellonet, performed at Warsaw’s Royal Castle at the opening of the IX Witold Lutosławski Competition. More recently he wrote “We Are Crying” for women’s choir and brass orchestra on commission from the Jazztopad Festival in Wrocław. From 2014 he has been involved in Plac Defilad, an outdoor summer programme of Teatr Studio. In the 2015 season he played weekly classical recitals; in 2016 together with Tomasz Pokrzywiński he co-produced “Transkrypcje” a series devoted to Beethoven’s complete symphonies in chamber arrangements; in 2017 they hosted a series of classical jam sessions, exploring the possibilities of improvisation within the classical framework. Every year in Plac Defilad he performs a grand ball with his big-band. In 2017 he was joined by singer Jan Młynarski. Together they will be releasing an album of polish jazz from the 20s and 30s. In 2017 he has started performing ragtimes, his childhood passion. An album with drummer Jerzy Rogiewicz is scheduled for 2018. As session musician he has worked with Tomasz Stańko, Wojciech Waglewski, Zbigniew Namysłowski, Michał Urbaniak and Barry Guy among others. He is also regularly invited to perform with Cracow's period instrument orchestra Capella Cracoviensis. Masecki writes for theater and film. Together with Candelaria Saenz Valiente he wrote the soundtrack to Strange Heaven by Dariusz Gajewski. In 2012 he wrote the soundtrack for the documentary Fuck for Forest (film) by Michał Marczak. In 2017 he composed music for the film “Cold War” by Paweł Pawlikowski. His music was featured in plays by Wojciech Urbański ("Miron Białoszewski: Tajny Dziennik") and Natalia Korczakowska (“Solaris” and “Pasażerka”). He currently lives in Berlin, Warsaw and Buenos Aires.