poltergeist

Kino Kults | Poltergeist (1982) | United States of America
Genre
IMDB
7.3 (167456 votes)
Budget
10,700,000.00$
Life is very pleasant for the close-knit Freeling family until a host of otherworldly forces invades their peaceful suburban home. It starts with just an odd occurrence or two, but soon their house is turned into a swirling supernatural sideshow. The forces at work are anything but friendly, and if the luckless Freelings don't clear out soon, they'll all be swept off into nightmarish chaos!

La Funeraria | Argentina
Genre
IMDB
4.4 (552 votes)
Bernardo is an undertaker. He runs his mortuary business in the same house where he resides. In the front, he has his clients. And in the back, his dysfunctional family lives amongst coffins, wreaths, and the mischievous but nonviolent ghosts that visit on a daily basis. But when a malevolent entity enters the scene, it wreaks havoc on the already fractured household.

Personal Shopper | France| Germany| Belgium| Czech Republic
Genre
IMDB
6.1 (33778 votes)
Budget
6,000,000.00$
A personal shopper in Paris refuses to leave the city until she makes contact with her twin brother who previously died there. Her life becomes more complicated when a mysterious person contacts her via text message.

Genre
Budget
200,000.00$
A university student (Sam Claflin of The Hunger Games: Catching Fire) and some classmates are recruited to carry out a private experiment -- to create a poltergeist. Their subject: an alluring, but dangerously disturbed young woman (Olivia Cooke of Bates Motel). Their quest: to explore the dark energy that her damaged psyche might manifest. As the experiment unravels along with their sanity, the rogue PHD students, led by their determined professor (Jared Harris of Mad Men), are soon confronted with a terrifying reality: they have triggered an unspeakable force with a power beyond all explanation. Inspired by true events, The Quiet Ones is directed by John Pogue from a screenplay by Craig Rosenberg and Oren Moverman and John Pogue, and based on a screenplay by Tom de Ville.