A quiet, neglected girl is sent away from her dysfunctional family to live with relatives for the summer. She blossoms in their care, but in this house where there are meant to be no secrets, she discovers one.
It's 1997. Frank Verstraeten, a computer genius with a nose for business, a fascination for nightlife and an unhealthy urge to prove himself, only wants one thing: his own disco that not only outperforms the competition but simply humiliates it. The futuristic mega discotheque Zillion is a fact and Frank turns from computer dealer to the pivotal figure of the Antwerp nightlife. He parades with the most beautiful women in Belgium and forges an alliance with Dennis Black Magic, the porn king who provides the spicy extras. Unfortunately, beautiful songs don't last long either.
A drama about a father's struggle to integrate his son back into the family and society after being released from the state psychiatric hospital for a thwarted school shooting.
When her husband has a mental breakdown and goes missing, a determined woman and her young son set out to find him on the streets, sparking a movement of compassion towards those in need and inspiring a city.
Confined to a claustrophobic hotel room, the heir to a hotel empire and the dominatrix who has primed him for success become locked in a battle of wits and wills as he tries to end his relationship with her.
Renée Fleming makes her highly anticipated return to the Met in the world-premiere production of Pulitzer Prize–winning composer Kevin Puts’s The Hours, adapted from Michael Cunningham’s acclaimed novel. Inspired by Virginia Woolf’s Mrs. Dalloway and made a household name by the Oscar-winning 2002 film version starring Meryl Streep, Julianne Moore, and Nicole Kidman, the powerful story follows three women from different eras who each grapple with their inner demons and their roles in society. The exciting premiere radiates with star power, with Kelli O’Hara and Joyce DiDonato joining Fleming as the opera’s trio of heroines. Phelim McDermott directs this compelling drama, with Met Music Director Yannick Nézet-Séguin on the podium to conduct Puts’s poignant and powerful score.