On a stopover in Barcelona, Fériaud Roland discovers a corpse in the hotel room next door. He wakes up in a strange clinic without remembering who brought him there. The doctor insists he hallucinated, but it's not long before he obtains evidence that it wasn't a dream.
Jérôme Varenne, a French financier, lives and works in Shanghai with Chen-Li, his life and business partner. One day, during a short stay in Paris, while paying a call to his mother, he is very displeased to learn from her and his hated brother, that the family house in Ambray is going to be sold. Jerome decides to go to the town where he grew up to see what is going on. Little does he know how eventful his escapade will be. Little does he know that it will change his life from soup to nuts...
At the core of this docudrama are six French-speaking villages that were transferred to the jurisdiction of a Dutch-speaking province when political lines were drawn. The director of Le Grand Paysage d'Alexis Droeven (Jean-Jacques Andrien) was born and raised in this area and filmed scenes of the demonstrations that took place when the transfer occurred -- scenes that are used in the film. Additional background on the region emerges as the viewer sees that the economic policies dictated by the European Common Market intensify the cultural clashes in this zone because the policies often damage the earnings of the farming community -- and the farmers have no way to alter the ECM mandates. The film conveys a good sense of these issues that threaten the way of life of the small community, and at the same time, a mini-drama plays out against this backdrop.
In making this film about a director who is presently working on an autobiographical movie, real-life director Elie Chouraqui has played on a Jewish cultural theme (the "reel" director is Jewish) and the intermixing of 1960s movie-making techniques. In the film, director David is in his 30s and his autobiography brings in details about his growth to adulthood -- his early life along the seacoast in Normandy, his parents, his education, and in the present, his sister and her husband, and a few of his own lovers. Visions of the past enhance the events of the moment, such as in the scene of David's mother's death. In the end, viewers may be able to answer the question posed by the title -- "What makes David run?"
In the harbor city of Le Havre, France, a woman is stabbed during the night, just below the windows of her neighborhood. Pierre (Yvan Attal) has witnessed the murder, and heard the wails of the women crying for help. So have the neighbors, certainly. But at the end, nobody called the police. Nevertheless, sorrows are too heavy for Pierre, which feel the needs to tell everything to his wife (Sophie Quinton), and to the police. During the investigation, it appears that 38 people witnessed the murdering, and none reacted...
In the summer, 27 year-old Sam drives towards the south of France in his Ford. He meets Matthieu and his sister Léa and takes them along in his apparently aimless journey. Matthieu has a crush on Sam and tries to seduce him. Léa is a beautiful, young, provocative girl who likes men so much that she got pregnant. She soon brings along Jérémie with them. Throughout the trip, they learn to know, fight and love each other. In spite of a blooming relationship with Matthieu, Sam isolates himself because of his secret: he is headed for Spain to find his long-lost mother.
The Daughter of the Moon battles the Daughter of the Sun over a magical diamond that will allow the winner to remain on Earth, specifically in modern day Paris.
At Christmas time, 19 year old Simon returns home to visit his dysfunctional family with Louise, a fearless girl he met during his train ride. While Simon struggles to cope with the growing distance between him and his parents, he starts to examine his feelings when Louise develop a liaison of her own with his childhood friend Mathieu.
Claire, a 50-year-old divorced teacher, creates a fake Facebook profile of a 24-year-old woman. She finds a photo of a pretty young brunette and uses it. She has created an entirely fictional character, but why?
Twenty years have passed. Thérèse lives alone in Paris. We exiled her there. She seems to be asking nothing more for life. She is sick and lives in slow motion. One day, we ring rue du Bac. It is Mary, her daughter, whom she sees so little. She is twenty years old now and comes to see her to escape her middle-class south-west. She is very in love with a boy, she expects from her mother a support, a freedom of point of view. His name is Murad. The arrival of her daughter awakens Therese with her reserve and torpor. It does not shock Mary, who is very busy with her love. Thérèse proposes to meet Mourad. She quickly understands that he is not willing to marry Mary but wants her without wanting to bond more deeply to her. It is she Therese, that the young man looks ... She wanted to help her daughter to be happy, a wish too official not to be suspicious. Here she is delivered to the power of her own seduction ...
After a life of emotional and professional upsets, Alex finds himself headwaiter in a chic Parisian restaurant. Well into middle age, divorced but still very much a ladies’ man, he has one great ambition: to open an amusement park by the sea. One day, an old flame, Claire, suddenly re-enters his life. For Alex, the fires of love are easily re-kindled, but Claire has another man in her life…