A talented girl from the provincial Russian town Pasha Stroganova dreams of becoming an actress. She plays the role of baba Yaga in the amateur theatre - and does it so organically that the visiting filmmaker offers her the most difficult role in the historical drama about Joan of Arc. She was given not only great acting talent, but the talent of deep, selfless love. A dream comes true: she is invited to the main role, and she begins a completely different life, full of real creative torment, insights and true happiness.
The film is based on the story of Anatoly Kurchatkin "House of Women". A tragicomedy about four women of three generations who lives in a tiny Moscow apartment: a sick grandmother, constantly requiring attention; a mother, very peculiar woman, who still hoping to somehow arrange her personal life; and two daughters, each of whom has a lot of problems.
Based on Boris Akunin's novel 'Azazel' (English title 'The Winter Queen') set in Moscow in 1876. The novel started a long series quite popular in Russia. In 'Azazel' a young police officer - Erast Fandorin - investigates an odd suicide of some rich young man and finds a complex conspiracy, trying to take over most European countries - from Britain to Ottoman Empire - with the best intentions, of course.
To earn money for married life, a young engaged man takes a job as an engineer on a privately operated oil drilling rig in the far North of Russia. A friend's letter brings the sad news that his fiancée has already married someone else and in desperation he quits his job and flies back to Moscow. There all his vast efforts to win her back seem in vain...
A young businessman believes that money and fortune are the most important things in the world. One day he loses all his money and faces the necessity to reconsider and change his life.
Olga Voznesenskaya is a silent screen star whose pictures are so popular that underground revolutionaries risk capture to see them. She's in southern Russia filming a tear-jerker as the Bolsheviks get closer to Moscow. Although married, she spends time every day with Victor Pototsky, the film's cameraman. Gradually, it comes to light that Victor uses his job as a cover for filming White atrocities and Red heroism: he's a Bolshevik. He asks her for help, and she discovers meaning in her otherwise flighty and self-centred life. Love blooms. Will the Red forces arrive in time to save them from a suspicious White military leader? Will she find courage?