Set in the midst of the 2009 housing crisis, the life of Cassie Fowler, a single mother and struggling realtor, goes off the rails when she witnesses a murder.
On a trip to Big Sur, two friends, both actresses, try to reconnect with one another. Once alone, the women's suppressed jealousies and deep-seated resentments begin to rise, causing them to lose their grasp on not only the true nature of their relationship, but also their identities.
Three teenage friends get in way over their head when they cross a down-home crime syndicate. They hope to make a break for it and escape their dead-end existence in a cotton-mill town but get sucked into the seedy underbelly of organized crime when one of them steals from the wrong man.
A rising Hollywood actor decides to take personal revenge against a group of four persistent photographers to make them pay for almost causing a personal tragedy involving his wife and son.
Kyle and Swin live by the orders of an Arkansas-based drug kingpin named Frog, whom they've never met. But when a deal goes horribly wrong, the consequences are deadly.
After working as a drug courier and getting into a brutal shootout with police, a former boxer finds himself at the mercy of his enemies as they force him to instigate violent acts that turn the prison he resides in into a battleground.
If Nick Barrow can stay alive for 21 days, he'll die happy. Everyone Nick knows wants him dead; Mob bosses, contract killers, and dirty cops. Performing the last act of a desperate man, Nick takes out a million dollar insurance policy on himself, payable to his estranged daughter. The problem? The policy doesn't take effect for 21 days. Nick knows they'll be lucky to be alive for twenty-one hours.
A young female embezzler arrives at the Bates Motel, which has terrible secrets of its own. Although this version is in color, features a different cast, and is set in 1998, it is closer to a shot-for-shot remake than most remakes, Gus Van Sant often copying Hitchcock's camera movements and editing, and Joseph Stefano's script is mostly carried over. Bernard Herrmann's musical score is reused as well, though with a new arrangement by Danny Elfman and recorded in stereo.