Violinist Sydney Wells was accidentally blinded by her sister Helen when she was five years old. She submits to a cornea transplantation, and while recovering from the operation, she realizes that she is seeing dead people.
After she becomes stranded in a small town, a young woman discovers her arrival there was foretold a century earlier by the town's founding preacher and that she is an integral part of his impending - and terrifying - rebirth.
After he's institutionalized in order to cover for his sister, a young man encounters a doctor who is turning his patients into flesh-eating psychopaths
Broadcasting through a makeshift network of discarded televisions, this story is tangled up in the aftermath of Los Angeles's worst earthquake nightmare. Travel between screens and aftershocks into the twisted lives of the survived.
A mysterious virus hits an isolated elementary school, transforming the kids into a feral swarm of mass savages. An unlikely hero must lead a motley band of teachers in the fight of their lives.
Everyone's favorite chainsaw-wielding psychopath, Leatherface, is back for more prom-night gore, and this time he's joined by his bloodthirsty family. Four stranded yet carefree teens are taken in by a backwoods family, clueless of their host family's grisly habits. The terrified youths, including sweet Jenny, try to escape from Leatherface and his crazed clan, including the bionic Vilmer.
“The Antman” is a lovingly-made but sluggish monster-movie parody, done with German-speaking actors on a sparse soundstage standing in for 1950s Mexico. Promising concept is bolstered by colorful performances by Gotz Otto and Lars Rudolph, and the filmmakers have fun with pic’s look, right down to tacky lighting worthy of Roger Corman. But Marc Meyer’s script isn’t fast or funny enough to keep pace with energetic visuals. The first in a projected series of B-movie homages grouped as “Planet B,” the producers might want to call in Joe Dante to supervise the rest, as “Antman” seems unlikely to crawl very far beyond its native borders