La Guerre Dans le Haut Pays is a period piece set in the winter of 1797-98, during the six days leading up to the fall of Bern and the victory of Napoleon's army, when the Bern government is faced with mixed loyalties from its subjects. The population of the lower valley is divided, but the upper region remains loyal, since they have been given special autonomy and a favorable system of taxation. David, a postman, works between the two regions. His father, who is a hard-line conservative, does not approve of his relationship with Julie, who is from the lower part of the valley. Julie's father, on the other hand, is more open to the new ideas of liberation. As a result of his work, David is exposed to new ideas and becomes a believer in equality and justice.
Stumbling across an uncompleted 1939 film called "Princess Marushka", filmmaker Sam becomes intrigued with the young actor Sylvain Marceau, who last appeared in the film. Hoping to discover the mystery behind Sylvain's disappearance, Sam decides to make a documentary and sets off to interview those who knew Sylvain, including elderly Lisa Morain. Through her interview, Sam learns the story of Lisa and Sylvain's doomed love affair on the eve of World War II.
As adults, best friends Julien and Sophie continue the odd game they started as children -- a fearless competition to outdo one another with daring and outrageous stunts. While they often act out to relieve one another's pain, their game might be a way to avoid the fact that they are truly meant for one another.
An adaptation of Milena Agus' eponymous novel set after WWII, "Mal de Pierres" ("Mal di Pietre") spans 20 years, following the destiny of a passionate, free-spirited woman who is in a loveless marriage and falls for another man.
In Paris, Ariane and Lena are sisters. Ariane writes photo novellas for the magazine "Toi et Moi." She's emotional and her long-time boyfriend, Farid, has her in a state because he won't propose, won't ask her to live with him, and often is unavailable. Lena is a cellist, quiet and circumspect in life and in her playing. She lives without passion with her boyfriend François; they're talking about having a baby.
In a desert town, sometime in the future, a repressive government regime restricts all forms of artistic expression. At night, Theo breaks the law, risking torture and death, to paint his work on public spaces. But when his lover Elia is arrested for committing the same crime, Theo allows himself to be captured hoping to somehow be reunited with her.
Aviator Marie Vallières de Beaumont goes on a journey to find her lover Bill Lancaster after his plane disappears in the Sahara. After her plane is forced down in the Ténéré she meets Lieutenant Antoine Chauvet of the French Camel Corps who joins in the hunt for Lancaster. As the two endure hardships in the desert, they begin to develop feelings for each other.
Malik (Omar Epps) is an African-American student attending on a track scholarship; academics are not his strong suit, and he goes in thinking that his athletic abilities will earn him a free ride through college. Fudge (Ice Cube), a "professional student" who has been at Columbus for six years so far, becomes friendly with Malik and challenges his views about race and politics in America.
Flighty Emily "Jacks" Jackson works for the British edition of Vogue magazine. Rather than pursue a relationship, Jacks regularly hooks up with her devoted ex-boyfriend, James Wildstone, and lives with Peter Simon, a gay screenwriter. When Jacks meets Argentinian photographer's assistant Paolo Sarmiento, she assumes he is gay and tries to bring him and Peter together, unaware that Paolo is straight and in love with her.
His wife having recently died, Thomas Jefferson accepts the post of United States ambassador to pre-revolutionary France, though he finds it difficult to adjust to life in a country where the aristocracy subjugates an increasingly restless peasantry. In Paris, he becomes smitten with cultured artist Maria Cosway, but, when his daughter visits from Virginia accompanied by her attractive slave, Sally Hemings, Jefferson's attentions are diverted.
Some thirty years after Arlis witnesses his father murdering a family, he runs into Kay, who happens to be the family's baby who was spared. Kay and Arlis suspect nothing about each other, but when his father returns, old wounds are reopened.