The training trip of 4 "special" boys, one narcoleptic, one internet-dependent, one suffering from Tourette's Syndrome and one obsessed with hygiene towards self-affirmation and acceptance of one's differences.
In a world parallel to ours, things and people have supernatural powers. Witches exist, they are beautiful and attractive and try to do their 'work' to the fullest.
The two friends Claude and Serge are fundamentally different in their temperament. Similarities arise only when they try to have a relationship with a woman, because both fail equally. While Claude is simply too shy to even start a relationship, let alone meet a woman, Serge is too jumpy to have a relationship. Together they go in search of the great love in all sorts of curious situations, from the self-help group on speed dating to wedding celebrations of strangers - in the hunt for the right woman, they are no way too far.
Here we find a group of misfits who've given up on humanity and have decided to dwell below the pavement. The group has its own hierarchy, of course, and soon the conditions that drove them underground begin to manifest themselves without the influences of the Outside World.
Eleven comedic vignettes featuring conversations – some important, some less so – held in restaurants over coffee and cigarettes (how quickly time flies – cigarettes are banned in Russia’s restaurants now). The conversations are candid, and even veer into the territory of murder. In the final credits, the director apologizes to Jim Jarmusch, whose work (in the anthology Coffee and Cigarettes, which Jarmusch shot in pieces over many years) Oldenburg-Svintsov is clearly indebted to. Sex, Coffee, Cigarettes’s kinship with Jarmusch’s film extends to the fact that superstars play tiny roles in almost all of the vignettes.
In 17th century France, cardinal Mazarin's death squad kills young Blanche's parents. She grows up to become a thief and steels a substance called Powder of the Devil and a coded letter that were sent to cardinal Mazarin. He is furious.
Recruté comme directeur commercial Paris d'une entreprise américaine de pompes funèbres, Gabriel part trois mois en stage sur le terrain. Il parvient à dissimuler son nouveau job à ses parents et à son amoureuse, Claire, qui voient en lui un grand musicien, jusqu'au jour où il vend des obsèques à prix d'or à un vieux monsieur qui n'est autre que le grand-père de Claire.
Get ready for a howling good time as an all new assortment of irresistible animal heroes are unleashed in this great family tail! In an unlikely alliance, the outrageous Waddlesworth... a parrot who thinks he's a Rottweiler... teams up with Oddball... an un-marked Dalmation puppy eager to earn her spots! Together they embark on a laugh-packed quest to outwit the ever-scheming Cruella De Vil
Tunisian-Jewish businessman Alain Berrebi (Michel Boujenah) courts Ashkenazi princess Arlette Stern (Elsa Zylberstein). Her father David (Maurice Chevit) learns of the death of a rural Auvergne peasant who once hid David and his cousin Nathan (Felix Fibich) from the Nazis. Nathan is now a NYC diamond dealer on West 47th Street. David, Nathan, Arlette, and Berrebi head for the funeral in Auvergne. There they encounter the deceased peasant's son, Jean Bourdalou (Gerard Depardieu), who operates the family's restaurants in Paris. Arlette does a romantic take on Bourdalou, which sends the distraught Berrebi off to cry on the shoulder of his mother Gaby (Gina Lollobrigida). Back in Paris, Bourdalou and Berrebi make plans to open a trendy fashion restaurant in Manhattan.
The story takes place in an unspecified town in Puglia. We are in the seventies. The arrival of three beautiful and uninhibited girls from the north, the daughters of an engineer who has moved to run a factory, brings the turmoil among the young people of the country. Stories of love, betrayals, state money (stolen) and missed promises intertwine. All looked at from the eyes of Carlo (alter ego of the director Sergio Rubini), the smallest of all. The film marks the debut of Vittoria Puccini at her first experience as an actress.