All Melvyn Rosenbloom wants is to go back to the days when things were simpler and people were kinder -- the good old days. Deciding to renounce women altogether, he finds a house in his old neighbourhood and persuades his elderly crotchety father Harvey to move in with him. Harvey is something of a comic and, as Mel rediscovers, none too easy to live with. To add to the friction, there's the landlady, Jackie. From Mel's point of view as an aspiring celibate, she's all wrong: far too intelligent, attractive and unconventional. But, strangely enough, Jackie becomes the focus of the Rosenblooms' refashioned lives.
Billionaire heir Richie Rich has it all, including Reggie Jackson as a batting coach and Claudia Schiffer as a personal trainer -- but no playmates. What's more, scoundrel Laurence Van Dough is scheming to take over the family empire. Uh-oh! Enter faithful butler Cadbury to save the day.
When Rachel Phelps inherits the Cleveland Indians from her deceased husband, she's determined to move the team to a warmer climate—but only a losing season will make that possible, which should be easy given the misfits she's hired. Rachel is sure her dream will come true, but she underestimates their will to succeed.
Cassidy is a struggling actress, grinding out auditions, worrying that any chance at stardom may have already passed her by. Desperate to save money to move to Hollywood, she takes a job working as a runner for her mother's boyfriend.
To avenge her mother's death, Pixie masterminds a heist but must flee across Ireland from gangsters, take on the patriarchy, and choose her own destiny.
In 1930s Australia, Anglican clergyman Anthony Campion and his prim wife, Estella, are asked to visit noted painter Norman Lindsay, whose planned contribution to an international art exhibit is considered blasphemous. While Campion and Lindsay debate, Estella finds herself drawn to the three beautiful models sitting for the painter's current work, freethinking Sheela, sensual Pru and virginal Giddy.
Beatle is a quirky loner who refuses to live by society's rules. Her business cards read "Towing/Assassination," and she even has a hit man infomercial to go along with it. Her only human contact is with her psychiatrist and the stripper/hooker she employs once a week. Everything changes the night she meets Athena Klendon, a suicidal blonde with a secret. With a demented killer on their tail, courtesy of Athena's crooked former employer, the two quickly strike a bargain. Athena will change her life insurance policy to reflect Beatle as the beneficiary in exchange for her own execution. And while they wait for the paperwork to come through, Beatle will provide room and board and get some extra help on her infomercial. The two have no idea that Detective Holt has been on their case reviewing their every move. Just when he thinks he's got Beatle pinned beyond a shadow of a doubt, this comedic mystery takes a wild and unexpected turn.
What might have been a disaster for the Finlay family leads to letting go and finding grace in the glorious chaos of life, as Henry and Anna realise their seriously ill teenage daughter Milla has fallen madly in love with a drug dealer, Moses. This romance is Milla’s protective parents’ worst nightmare – but Milla doesn’t want to play it safe anymore. Things get messy and morals go out the window, as the lives of those around the family – their disarmingly honest pregnant neighbour, a brilliantly flawed music teacher, a child violin prodigy and Moses’ family – become intertwined.
Two brothers become conflicted after one goes on the run and the other has an affair with a Greek woman and takes care of an old rich lady who could be their way out.