Orbiting a quiet backwater planet, the massed forces of the universe's deadliest species gather, drawn to a mysterious message that echoes out to the stars. And amongst them, the Doctor. Rescuing Clara from a family Christmas dinner, the Time Lord and his best friend must learn what this enigmatic signal means for his own fate and that of the universe.
When Mary and her teenage son, Fergal, move to yet another new home, it soon becomes clear they live their lives on the run, hiding from someone or something, terrified of being found. Their hunter, Cathal, soon picks up the trail. Intent on tracking Mary and Fergal, he will go to any lengths to succeed in his quest, often using dark arts to aid him. Mary’s only defence is to use an ancient form of her own magic to protect her only son. When local residents begin to be brutally murdered by an unknown life force, the sense of fear escalates. Is Cathal the beast responsible for the killing? Or is it the beast that he is trying to destroy?
It's Christmas Eve, 1938, when Madge Arwell comes to the aid of an injured Spaceman Angel as she cycles home. He promises to repay her kindness - all she has to do is make a wish. Three years later, a devastated Madge escapes war-torn London with her two children for a dilapidated house in Dorset. She is crippled with grief at the news her husband has been lost over the channel, but determined to give Lily and Cyril the best Christmas ever. The Arwells are surprised to be greeted by a madcap caretaker whose mysterious Christmas gift leads them into a magical wintry world. Here, Madge will learn how to be braver than she ever thought possible. And that wishes can come true... - Written by BBC Publicity
Amy Pond and Rory Williams are trapped on a crashing space liner, and the only way the Eleventh Doctor can rescue them is to save the soul of a lonely old miser. But is Kazran Sardick, the richest man in Sardicktown, beyond redemption? And what is lurking in the fogs of Christmas Eve?
In a bleak Inverness midwinter, Luisaidh is careening off the rails after the suicide of her best friend. She medicates her misery with joyless sex, chips and a belief in the power of positive drinking. Surrounded by bittersweet memories, she struggles to find someone to talk to or some reason to make life worthwhile at the most stressful time of the year.
When a struggling publisher discovers his only successful author is blocked he knows he has to unblock her or he's finished. With her newfound success, she's become too damn happy and she can't write when she's happy.The only trouble is, the worse he makes her feel, the more he realises he's in love with her.
We’ll Take Manhattan explores the explosive love affair between Sixties supermodel, Jean Shrimpton, and photographer, David Bailey. Focusing on a wild and unpredictable 1962 Vogue photo shoot in New York, the drama brings to life the story of two young people falling in love, misbehaving and inadvertently defining the style of the Sixties along the way.
In the later years of the nineteenth century Latin master Mr. Chipping is the mainstay of Brookfields boys boarding school, a good teacher and a kindly person but he is considered to be married to the job so that it is a surprise when, on a walking holiday, he meets and marries the vivacious Kathie,who becomes his helpmate at the school but sadly pre-deceases him. Just before World War One insensitive new headmaster Ralston tries to edge Chipping out but the boys rally and Sir John Rivers, an old pupil of Chipping's and now head of the board of governors, invites him to stay and,when the war breaks out and Ralston joins up, Chipping becomes the new head.
A love story set in 1930s England that follows 17-year-old Cassandra Mortmain, and the fortunes of her eccentric family, struggling to survive in a decaying English castle. Based on Dodie Smith's 1948 novel with the same name.