The worldwide phenomenon of The Hunger Games continues to set the world on fire with The Hunger Games: Mockingjay - Part 1, which finds Katniss Everdeen (Jennifer Lawrence) in District 13 after she literally shatters the games forever. Under the leadership of President Coin (Julianne Moore) and the advice of her trusted friends, Katniss spreads her wings as she fights to save Peeta (Josh Hutcherson) and a nation moved by her courage.
The Hunger Games: Mockingjay - Part 1 is directed by Francis Lawrence from a screenplay by Danny Strong and Peter Craig and produced by Nina Jacobson's Color Force in tandem with producer Jon Kilik. The novel on which the film is based is the third in a trilogy written by Suzanne Collins that has over 65 million copies in print in the U.S. alone.
When his off-the-grid best buddy Ben Baker (Zach Galifianakis) inherits his estranged father’s fortune, womanizing local weatherman Steve Dallas (Owen Wilson) joins forces with him to battle the legal challenge brought by Ben’s formidable sister (Amy Poehler), in the hilarious big-screen directorial debut from Mad Men creator Matthew Weiner.
When Thomas wakes up, trapped in a massive maze with a group of boys, he has no memory of the outside world. Only by piecing together fragments of his past with clues he discovers in the maze, can Thomas hope to uncover his true purpose and a way to escape.
Set within the world of global cybercrime, Legendary's "blackhat" follows a furloughed convict and his American and Chinese partners as they hunt a high-level cybercrime network from Chicago to Los Angeles to Hong Kong to Jakarta.
Directed and produced by Michael Mann (Heat, The Insider, Collateral, Miami Vice).
Former NYPD cop and private investigator Matthew Scudder is hired by a drug dealer to find his kidnapped wife in New York City.
The action thriller is directed and written by Academy award nominee Scott Frank ("The Wolverine", "Marley & Me" and "Minority Report" and staring Academy award nominee Liam Neeson ("A Million Ways to Die in the West", "Non-Stop" and "Taken 1 & 2" and Dan Stevens ("The Fifth Estate") and Boyd Holbrook ("Milk").
Since she was a little girl, it’s been drilled into Amy’s (Schumer) head by her rascal of a dad (Colin Quinn) that monogamy isn’t realistic. Now a magazine writer, Amy lives by that credo—enjoying what she feels is an uninhibited life free from stifling, boring romantic commitment—but in actuality, she’s kind of in a rut. When she finds herself starting to fall for the subject of the new article she’s writing, a charming and successful sports doctor named Aaron Conners (Bill Hader), Amy starts to wonder if other grown-ups, including this guy who really seems to like her, might be on to something.
Rosie and Alex have been best friends since they were 5, so they couldn't possibly be right for one another... or could they? When it comes to love, life and making the right choices, these two are their own worst enemies. One awkward turn at 18, one missed opportunity... and life sends them hurling in different directions. But somehow, across time, space and different continents, the tie that binds them cannot be undone - despite unwanted pregnancies, disastrous love affairs, marriage, infidelity and divorce. Will they find their way back to one another, or will it be too late? Based on Cecelia Ahern's bestselling novel "Where Rainbows End", LOVE, ROSIE is a modern comedy-of-errors tale posing the ultimate question: Do we really only get one shot at true love ?
Stanley is a magician who has dedicated his life to revealing fraudulent spiritualists. He plans to quickly uncover the truth behind celebrated spiritualist Sophie and her scheming mother. However, the more time he spends with her, he starts thinking that she might actually be able to communicate with the other world, but even worse, he might be falling in love with her.
Romantic comedy is written and directed by Woody Allen and star Academy award winner Colin Firth ("Kings Speech" and "Tinker, Tailor, Soldier, Spy"), Emma Stone ("Gangster squad" and "The Amazing Spider man 1 & 2") and Marcia Gay Harden ("Mystic River").
Love can be a terrible thing. Sharing a life with someone, building a home together, getting married, having children and merging identities to near incongruous levels are all part of the sacrificing and lifetime decision-making one does when finding "the one." Imagine being so entwined with your better half for years, only to suddenly lose them forever. The waves of shock and horror must be overwhelming because you didn't just lose the love of your life, your partner and your lover. You've also lost a big part of yourself and you somehow have to find the courage to pick up the pieces, move on and decide how to lock up your memories in the dusty drawers of your mind without throwing away the key. Arie Posin's "The Face Of Love" starring Annette Bening, Ed Harris and Robin Williams dives into the psychological consequences of this harsh side of love, and while the concept is full of deep potential, more often than not, this attempt fails torise to the occasion.
In the first few minutes of THE FACE OF LOVE you are given the background to Nikki and Garrett. They are a middle aged married couple who are still in love with one another. On a holiday in Mexico Garrett accidentally drowns and Niiki is inconsolable. Five years later on a visit to a Los Angeles art gallery she spies a man who bears a remarkable resemblance to her dead husband. He's Tom, an artist and art teacher. She virtually stalks him and sets up a meeting.
Although it's full of stylistic hallmarks we've come to expect from Gilliam — layered realities, overbearing technology, institutional paranoia and of course, quirky romance – it feels like a personal journey into his beliefs, as it stares into the divide between reason and faith.
Living in an Orwellian corporate world where "mancams" serve as the eyes of a shadowy figure known only as Management, Leth works on a solution to the strange theorem while living as a virtual cloistered monk in his home—the shattered interior of a fire-damaged chapel. His isolation and work are interrupted now and then by surprise visits from Bainsley, a flamboyantly lusty love interest who tempts him with "tantric biotelemetric interfacing" (virtual sex) and Bob. Latter is the rebellious whiz-kid teenage son of Management who, with a combination of insult-comedy and an evolving true friendship, spurs on Qohen’s efforts at solving the theorem. … Bob creates a virtual reality "inner-space" suit that will carry Qohen on an inward voyage, a close encounter with the hidden dimensions and truth of his own soul, wherein lie the answers both he and Management are seeking. The suit and supporting computer technology will perform an inventory of Qohen’s soul, either proving or disproving the Zero Theorem.
Like most life lessons, the answers to Qohen's problems are hidden in plain sight. But the fact that they're there at all marks the difference between a film with a nihilistic attitude about human existence, and one that believes in the idea that there are many reasons to live, both great and small. Like a great professor who makes complicated ideas easy to understand, and more importantly, fun to think about, Gilliam boils down basic questions about human existence to a series of weirdly relatable physical conflicts, which is why "The Zero Theorem" dances on the edge of nothingness, and manages to find something incredibly powerful to say.
Although it opens with the caveat that the story was "inspired by a court case" yet is "entirely fictional" we all know by now that Abel Ferrara is referring to the former head of the International Monetary Fund, Dominique Strauss-Kahn, and his wife at the time, Anne Sinclair, and the scandal and ramifications of an alleged assault on a New York hotel maid.
Mr. Devero is a toxic mix of desire, power and arrogance. High powered person who controls global finances and shapes people's future, is not capable to deal with his own instincts. He is guided by an unrestrained sexual hunger and he is unable to resist. He, who cares to save the world, is unable to save himself...
The film follows a physician who accidentally tells her obnoxious patient that he has a brain aneurysm and has only 90 minutes to live. As the patient races around the city, trying to right his wrongs, the doctor attempts to find him as he tries to find what he must do in the final moments of his life.